Emi

Jacqueline du Pre - The Complete EMI Recordings (2012) [17CD BoxSet] {EMI Classics Reissue}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 5.38 Gb
Full Artwork @ 300 dpi (png) -> 391 Mb | 5% repair rar
© 2012 EMI Records | 50999 0 91934 2 0
Classical / Cello

Jacqueline du Pre’s career, though tragically brief, coincided with a golden age of recording. This 17-disc treasury unites her entire EMI Classics legacy and includes – for the first time on CD – two Bach sonata movements from her 1962 debut recital for the label. Interpretations long recognised as classic are joined by further rarities, among them the Lalo Cello Concerto, recorded with Daniel Barenboim and the Cleveland Orchestra in 1973, and, from 1968, Strauss’s Don Quixote under Sir Adrian Boult. This collection includes the very latest Abbey Road remasters of Du Pré’s recordings in one definitive boxed set and offers the listener the ultimate listening experience with a fantastic clarity of sound and dynamic range. The collection includes a full-colour 32-page booklet detailing the life and art of Du Pré in both words and pictures as well as a timeline overview of her career.

For the first time ever EMI Classics are making available, in two handsome sets, the complete recordings that Karajan made for EMI between the years 1946 to 1984. The first set of 88 CDs comprises all the orchestral and concerto recordings and the second set, of 72 CDs, the Choral and Opera recordings. Both sets can be acquired at bargain prices, presenting a rare opportunity to add these historically important recordings to your collection. The last discs in each set (88 & 72 respectively) contain all the libretti, sung texts, a selection of photographs and a series of interviews with musicians who knew and worked with Karajan.

For the first time ever EMI Classics are making available, in two handsome sets, the complete recordings that Karajan made for EMI between the years 1946 to 1984. The first set of 88 CDs comprises all the orchestral and concerto recordings and the second set, of 72 CDs, the Choral and Opera recordings. Both sets can be acquired at bargain prices, presenting a rare opportunity to add these historically important recordings to your collection. The last discs in each set (88 & 72 respectively) contain all the libretti, sung texts, a selection of photographs and a series of interviews with musicians who knew and worked with Karajan.

Anna Vissi - Back to Time - Complete EMI Years (2007) {4CD Set EMI-Capitol 5099951042929 rec 1974-1982}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.45 Gb | MP3 @320 -> 509 Mb
Full Artwork @ 300 dpi (png) -> 169 Mb | 5% repair rar
© 1974-82, 2007 Minos-EMI / Capitol Original Masters | 50999 510429 2 9
Pop / International / Modern Laïko / Greek / Mediterranean Traditions / Blues

Back to Time (Complete EMI Years) is a compilation album by Greek singer Anna Vissi, including the whole recordings which are now back catalogue items of Minos EMI. It is part of Minos EMI's special edition "EMI Years" compilations of early recordings by artists which were either signed to them directly or of releases which have since become part of their back catalogue.

Gravedigger by Janus finds the band playing in a psyche-tinged style of early progressive rock still entangled in the genre's roots in the 1960s underground - and emerged just as that style of prog was going out of fashion, to the band's misfortune…

Kathleen Ferrier (22 April 1912–8 October 1953) remains one of the best-loved British singers of our time. The eminent vocal expert Alan Blyth wrote of her in 1998: ‘Kathleen Ferrier, a legend in her own lifetime, has certainly become one since her untimely death in 1953. Her professional life, lasting little more than a decade, saw her rise from the obscurity of appearing with choirs in the north of England to the eminence of an international career in the company of such conductors as Barbirolli, Walter and Klemperer. It was an extraordinary transformation in every respect, but one wholly justified by the dignity and conviction of her singing and the commitment of her interpretations.’