Only the most dedicated UFO fan could possibly keep track of all the live releases that have surfaced over the years. Many of these live recordings were not necessarily approved by the band, and as a result, some have been good, and some have been downright stinky. Finally, the UFO lads have taken steps to regain control of their concert recordings, by issuing a mammoth six-disc box set, 2009's Official Bootleg Box Set. UFO have always been one of those groups best experienced on the concert stage, as evidenced by 1979's Strangers in the Night, which is widely regarded as one of hard rock/heavy metal's all-time great live sets…
British rock/pop group, formed in Liverpool, England during the late 1950s. Signed to recording contract with EMI in 1962…
While there is no knowing what whimsy prompted the fine fellows from the reissue department of EMI to release Vladimir Ovchinnikov's 1989 recording of both sets of Rachmaninov's Etudes-Tableaux in its "encore" series, one can only be grateful it did. Along with rereleasing both Richter's sublime Schumann disc and Barenboim's abysmal Beethoven disc, EMI has released for the first time this vivid and virtuosic Rachmaninov recording by Ovchinnikov.
This double-CD replaces EMI's Best Of anthology (1992) as the collection of choice for their British Invasion years due to its slightly more extensive length (34 tracks), including most of the tracks on the previous compilation…
Helen Shapiro is remembered today by younger pop culture buffs as the slightly awkward actress/singer in Richard Lester's 1962 debut feature film, It's Trad, Dad. From 1961 until 1963, however, Shapiro was England's teenage pop music queen, at one point selling 40,000 copies daily of her biggest single, "Walking Back to Happiness," during a 19-week chart run. A deceptively young 14 when she was discovered, Shapiro had a rich, expressive voice properly sounding like the property of someone twice as old, and she matured into a seasoned professional very quickly.
The Capitol Years is a 1998 box set by the American singer Frank Sinatra. This set was originally assembled by EMI, Capitol's sister company in the United Kingdom. The set contains 21 CDs featuring every album that Sinatra authorized for release between 1953 and 1961 (save for Frank Sinatra Conducts Tone Poems of Color and A Jolly Christmas from Frank Sinatra), remastered in state-of-the-art 20-bit digital audio. Each CD contains an individual Sinatra Capitol LP (including singles compilations), but the bonus tracks from the American versions appear on a separate CD here as The Rare Sinatra. The sound quality on this box is arguably superior to American remasters, also produced in 1998 for eight of Sinatra's key albums in the United States.
The Dubliners released three albums on the Transatlantic label between 1964 and 1966, but it wasn't until they moved to Philip Solomon's new Major Minor label in 1967 that they had their first real success. A Drop of the Hard Stuff was released in the spring of 1967 followed by the rather unimaginatively titled More of the Hard Stuff later that year - both albums heavily promoted by Radio Caroline. Drinkin' & Courtin' was released in 1968, the year the original Radio Caroline went off the air, so had to rely more on the BBC for airplay.
When David Bowie recorded what became DAVID LIVE at Philadelphia's Tower Theatre in July 1974, he had fully made the leap from Ziggy Stardust and landed feet-first into the shoes of the Thin White Duke. Despite announcing his retirement from live performance the year before, Bowie seemed no worse for wear fronting a ten-piece directed by future LETHAL WEAPON composer Michael Kamen and featuring new guitarist Earl Slick and horn player David Sanborn. This 2-CD set finds the chameleonic performer mixing in Ziggy-era classics such as "Rock 'N' Roll Suicide" with material from DIAMOND DOGS ("Rebel Rebel," "1984"), ALADDIN SANE ("Cracked Actor") and HUNKY DORY ("Changes"). The fullness of the horn section and the style of his back-up band give this set a soulful tilt powered by Slick's ballsy playing. This, along with a cover of the Stax nugget "Knock On Wood," pointed at Bowie's immersion in a Philly soul direction that emerged full-fledged on YOUNG AMERICANS.