Like 1999's tribute to Gram Parsons, Return of the Grievous Angel, this successful collection revives the tired "tribute" concept and applies it in homage to a key figure in country music. Interpreting songs from across Hank Williams's short and troubled career, a range of high-profile artists use different approaches with equally gratifying results. Tom Petty, Sheryl Crow, and Hank Williams III play familiar songs with traditional arrangements (Ms. Crow's yodel is an eye opener); Beck, Mark Knopfler, and Keb' Mo' stay closer to their own idioms. Keith Richards's reedy vocal makes "You Win Again" all his own, and Bob Dylan, who has only rarely lent his services to these sorts of projects, leads his touring band through a blues shuffle on "I Can't Get You Off of My Mind." The estimable Lost Highway label has assembled an illustrious cast to sing the praises of the artist who inspired its name, and in doing so it has created a far better testament to its musical mindset than can ever be captured in the term Americana.
Tribute collections – especially those dedicated to a deceased artist by a various group of performers – are usually a mixed bag by their very nature. A dedicated various-artists set of songs by the towering songwriter Townes Van Zandt is even more daunting in concept. That said, Poet: A Tribute to Townes Van Zandt, originally issued in 2001, is the exception to the rule in every case. Containing 16 cuts by a stellar cast that includes everyone from Willie Nelson and Nanci Griffith to Lucinda Williams and John Prine with lots of folks in between.
"An interesting collection of some of the best people in our business paying tribute to me.
Boy, does this make me feel good!"Johnny Cash
Like 1999's tribute to Gram Parsons, Return of the Grievous Angel, this successful collection revives the tired "tribute" concept and applies it in homage to a key figure in country music. Interpreting songs from across Hank Williams's short and troubled career, a range of high-profile artists use different approaches with equally gratifying results. Tom Petty, Sheryl Crow, and Hank Williams III play familiar songs with traditional arrangements (Ms. Crow's yodel is an eye opener); Beck, Mark Knopfler, and Keb' Mo' stay closer to their own idioms. Keith Richards's reedy vocal makes "You Win Again" all his own, and Bob Dylan, who has only rarely lent his services to these sorts of projects, leads his touring band through a blues shuffle on "I Can't Get You Off of My Mind." The estimable Lost Highway label has assembled an illustrious cast to sing the praises of the artist who inspired its name, and in doing so it has created a far better testament to its musical mindset than can ever be captured in the term Americana. –Rob Stewart
There are too many artists here who are matched up with songs beyond their ability or apparent understanding. Certainly the most glaring example of this is Mary Chapin Carpenter's version of Don Gibson's classic hit "Oh Lonesome Me." Another glaring mismatch is the Collin Raye/Joe Diffie cover of the Billy Joe Shaver rebel rouser "Honky Tonk Heroes (Like Me)," the rallying cry of the outlaw country movement during the '70s…
Prior to this moment, only in our wildest and sauciest dreams could we picture Sufjan Stevens, Björk, Brad Mehldau, Prince and James Taylor rolling around together. Nonesuch Records, however, has made our dreams a reality.
Joni Mitchell covers dot the musical landscape the way Tim Hortons doughnut shacks line the highways of Ontario. It's a little surprising, then, that the first Mitchell tribute album to be released on a major U.S. label didn't emerge until 2007, which was coincidentally the same year Mitchell was scheduled to release Shine, her first studio effort to appear in some ten years. And as far as tribute albums go, A Tribute to Joni Mitchell isn't half bad. The compilation is split up between songs that were recorded specifically for the tribute album, such as Sufjan Stevens' "A Free Man in Paris," and those that were recorded and released previously, such as James Taylor's "River"…
Prior to this moment, only in our wildest and sauciest dreams could we picture Sufjan Stevens, Björk, Brad Mehldau, Prince and James Taylor rolling around together. Nonesuch Records, however, has made our dreams a reality.
Joni Mitchell covers dot the musical landscape the way Tim Hortons doughnut shacks line the highways of Ontario. It's a little surprising, then, that the first Mitchell tribute album to be released on a major U.S. label didn't emerge until 2007, which was coincidentally the same year Mitchell was scheduled to release Shine, her first studio effort to appear in some ten years. And as far as tribute albums go, A Tribute to Joni Mitchell isn't half bad. The compilation is split up between songs that were recorded specifically for the tribute album, such as Sufjan Stevens' "A Free Man in Paris," and those that were recorded and released previously, such as James Taylor's "River"…