Tribute To Emmylou

Ringo Starr, Dolly Parton and Merle Haggard are also included on the wide-ranging two-disc collection, out August 31st.

Emmylou Harris - Original Album Series Vol. 1, 1975-1979 (2010) {5CD Box Set Rhino Vinyl Replica}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.15 Gb | MP3 @320 -> 500 Mb
Full Artwork @ 300 dpi (jpg) -> 42 Mb | 5% repair rar
© 1975-79, 2010 Reprise / Rhino / Warner | 8122 79835 1
Country / Country Rock / Progressive Country / Traditional Country

Emmylou Harris was a little-known singer and songwriter playing the folk circuit in Washington, D.C., when she was discovered by Gram Parsons, who invited her to sing on his solo albums and revealed to the world she had a voice of striking beauty and the talent to use it wisely. After Parsons' death, Harris embarked on a solo career that saw her creating a series of outstanding albums that combined the sound and style of classic country music with a progressive feel that made her one of the best respected artists of her generation. This specially priced box set includes Harris' first five albums for Reprise Records in full, featuring some of her most compelling studio recordings. Included in this set are 1975's Pieces of the Sky, 1975's Elite Hotel, 1977's Luxury Liner, 1978's Quarter Moon in a Ten Cent Town, and 1979's Blue Kentucky Girl.

Carl Jackson, an accomplished bluegrass instrumentalist and songwriter, was born September 18, 1953, in Louisville, MS. While playing in his father's bluegrass band at the age of 14, he was approached by Jim & Jesse to join their backing group, the Virginia Boys. He accepted and spent most of his teenage years playing banjo for Jim & Jesse and other groups at the Grand Ole Opry…

Emmylou Harris - Songbird: Rare Tracks & Forgotten Gems (2007) [4CD+DVD] {Rhino}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.77 Gb | MP3 @320 -> 700 Mb
DVD5 -> 2.01 Gb | All Regions | NTSC 4:3 | LPCM, 2 ch | ~ 35 m | ISO Image
Artwork @ 300 dpi (jpg) -> 12 Mb | 5% repair rar
© 2007 Rhino / Warner | 8122 79969 0 1
Country / Country Rock / Progressive Country / Traditional Country

It's difficult to write about Emmylou Harris without lapsing into a long train of superlatives – she really does have one of the most beautiful voices of her generation, and her taste in material and skill in using her instrument is nearly faultless. However, as good as Harris is and as consistently strong as her body of work has been, one could make a convincing argument that she's been frequently underrated through much of her career – more than just a lovely woman with a pure, clear voice and a fine ear, she's championed a number of gifted songwriters before they went on to have distinguished careers of their own (from Rodney Crowell to Gillian Welch), matured into a first-rate tunesmith herself, collaborated with a remarkable array of artists, and has never been afraid to take her talents into unexpected directions, from purist bluegrass to the experimental atmospherics of her work with Daniel Lanois.

Tribute albums frequently betray their subject, but not this homage to Johnny Cash’s Bitter Tears, the country giant’s 1964 salute to Native Americans. A concept album about a discomfiting cause – the US’s treatment of its indigenous people – Tears was a radical statement resisted, to Cash’s fury, by the Nashville establishment. For its 50th anniversary, producer Joe Henry gathers a stellar house band that takes turns to lead. Gillian Welch delivers an entrancing As Long As the Grass Shall Grow; Emmylou does likewise with Apache Tears. Steve Earle drawls: “I ain’t no fan of Custer” and instrumentals evoke North America’s haunted plains. Very fine.