Buxtehude’s Opus 1 sits at a stylistic and formal crossroads, interweaving some of the most refined counterpoint of the 17th century with a sense of boundlessness in time and texture, creating a music in which order and fantasy coexist in perfectly imperfect balance. Composing at the dawn of the 18th century, Buxtehude demonstrates a fidelity to the caprices of earlier 17th-century works while also taking up the challenges of the more extended and developed ensemble writing then emerging in the works of Corelli and his 18th-century successors. FILAMENT comprises a core trio of violin, viola da gamba, and keyboards. FILAMENT'S mission is to be the bright connective thread — that eponymous filament — linking the world of its audience with that of its repertoire.
Buxtehude’s Opus 1 sits at a stylistic and formal crossroads, interweaving some of the most refined counterpoint of the 17th century with a sense of boundlessness in time and texture, creating a music in which order and fantasy coexist in perfectly imperfect balance. Composing at the dawn of the 18th century, Buxtehude demonstrates a fidelity to the caprices of earlier 17th-century works while also taking up the challenges of the more extended and developed ensemble writing then emerging in the works of Corelli and his 18th-century successors. FILAMENT comprises a core trio of violin, viola da gamba, and keyboards. FILAMENT'S mission is to be the bright connective thread — that eponymous filament — linking the world of its audience with that of its repertoire.
The Cuban-American pianist and composer Aruán Ortiz has finally arrived on the international jazz scene, following a few earlier releases. His excellent new album "Hidden Voices" recorded as a trio with bass player Eric Revis and drummer Gerald Cleaver is the proof. Ortiz, who grew up in Santiago de Cuba, has been called the latest Cuban prodigy to arrive in the US. His carefully structured music is an exciting mix of contemporary classical sounds, afro-cuban rhythms and powerful jazz improvi-sation. All these elements are fused to make a very individual sound.
Trio Stadtlmann is a Japanese trio formed and active in Switzerland, featuring the world's rarest stringed instrument, the baritone. Celebrating their 10th anniversary, the Trio Stadtlmann released their first recorded work with the cooperation of Tokyo Zoshigaya Haiobun-tei, which has been conducting a project to perform Haydn's complete baritone trio works. It also includes the only quintet in existence that includes two horns!
In listening to the five years of the Brad Mehldau Trio represented in this box set, one hears the unfolding of a new and significant part of modern jazz history, as the end of the 1990s opened the door on the explosive creative renaissance of the music in the 21st century. Nonesuch has compiled the five releases in the Art of the Trio series, as well as an additional disc of unreleased recordings from the same period (1997-2001), offering a serious reconsideration of what has already been accepted as a "next step" for the jazz piano trio's history. On Vol. 1, Mehldau, bassist Larry Grenadier, and Spanish drummer Jorge Rossy intriguingly and seductively begin uttering the first sounds of their new language via Mehldau's originals, such as "Lament for Linus" and "Ron's Place"…
The Beethoven piano trios have been at the hub of the Beaux Arts Trio’s repertoire throughout its long history.