Tumbao

Cuban music legend, Jesus "Chucho" Valdes is fiery hot and still impacting the jazz world with his diverse musical elements. Riding the new wave in Latin jazz fostered by the pianist's critically acclaimed 3/4le Bele en la Habana on Blue Note in 1998, Valdes reserved enough energy to excite his fans with an exquisite blend of technique and soul on Live. The CD, an infectious, collection of cubop grooves and rhythms, further develops the Afro-Cuban and Latin jazz collective Chucho has been pulsating for the past 25 years as musical director of Irakere, the award-winning band he co-founded to play both music styles. "Tumbao," and "Blues a Puerto Rico," feature a variety of moods, melodies, syncopation and the signature solos of Chucho's formidable piano.

With her powerful pipes, stunning showmanship, and superhuman sense of timing, Celia Cruz defined her chosen genre like few other performers in the history of popular music. EXITOS ETERNOS is a collection of tracks the "Queen of Salsa" recorded during the last decade of her life that, despite the vocalist's advanced age, clearly show Cruz's talents never wavered. Known for her uncompromising attitude and refusal to sing in English, Cruz valued aesthetic purity, but never became a museum piece. A driving pulse and rhythmic toasting that recall dancehall reggae propel her 2001 hit "La Negra Tiene Tumbao," and other tracks feature subtle synthesizer textures. Unlike lesser artists, however, Cruz is able to incorporate these disparate sonic colors seamlessly, making them sound as traditional as a conga drum or guiro. Of course, the unrelenting force behind each recording is Cruz's astounding voice, the sheer energy of which makes even these later recordings sound both classic and utterly contemporary.

Built on the Afro-Caribbean past, forged by visionaries such as John Santos and his comrades, and steeled by its rootedness in American life, Latin jazz is a major force shaping contemporary American musical culture. Over decades of performing, arranging, producing, and teaching, Santos has helped make the San Francisco Bay area a Latin jazz stronghold. In Art of the Descarga, The John Santos Sextet and a parade of stellar guests mine the music’s imaginative motherlode, the descarga—the spontaneous, improvisatory interplay that is the beating heart of Latin jam sessions. Orestes Vilató, Jerry González, Orlando “Maraca” Valle, Tito Matos, Juan “Juango” Gutiérrez, and other luminaries join the sextet in this spectacular collision of beauty, design, and time-honored creativity.

ABUC is the 8th album by Roberto Fonseca hes released under his own name and the first to appear on the Impulse! label. Teeming with rascally rhythms and burly brass and woven from allusions, souvenirs and contrasts, ABUC is a kaleidoscope of dancing colors with which Roberto tells a story: the great and rich story of Cuban music, from yesterday to today.