Up Soundtrack

Don't Look Up is a 2021 American satirical science fiction film written, produced, and directed by Adam McKay. It stars Leonardo DiCaprio and Jennifer Lawrence as two low-level astronomers attempting to warn mankind, via a media tour, about an approaching comet that will destroy Earth. Rob Morgan, Jonah Hill, Mark Rylance, Tyler Perry, Ron Perlman, Timothée Chalamet, Ariana Grande, Scott Mescudi, Cate Blanchett, and Meryl Streep round out the ensemble cast. The film is a satirical tackling of the climate change crisis. Grande and Mescudi also collaborated on the song "Just Look Up" as part of the film's soundtrack.

This is the original soundtrack for the movie "Blow-Up", A surreal whodunit that captures the flavor of Swinging London as seen through the eyes of a character loosely based on real-life fashion photographers David Bailey and Terence Donovan from which Michelangelo Antonioni's cinematic cult classic yielded an equally intriguing soundtrack...

Inspired by the works of Italian medieval writer/poet Boccaccio (the Decameron), Federico Fellini, Luchino Visconti, and Vittorio de Sica each directed a short starring Anita Ekberg, Romy Schneider, and Sophia Loren, respectively; Italian soundtrack heavyweights Nino Rota and Armando Trovajoli provided the necessary musical accompaniment. The result was the film Boccaccio 70 and music that frames a kaleidoscope of styles with dramatic panache. Trovajoli, in particular, mixes it up with cha-cha-chas, march pieces, waltzes, circus themes, and jazz – the highlight, though, is his Latin vocal feature, "Soldi! Soldi! Soldi!," sung by a surprisingly effective Loren. Unlike Trovajoli, Rota doesn't focus on one style per piece, but instead fills his symphonic-worthy sides with a seamless blend of many of the same styles, peppering the landscape with trademark doses of pipe-organ moodiness, can-can rhythms, and dusky string passages. And as far as jazz goes, Rota furnishes the Visconti segment with some very worthy combo ballads redolent of Miles Davis' own soundtrack venture, Ascenseur Pour L'Echafaud.

For fans of Jerry Goldsmith's score for Ridley Scott 1978 movie Alien, this two-disc Intrada set is the ultimate fantasy. Everything is here and then some. Disc 1 contains Goldsmith's entire score as he originally intended it with every cue in place, including those that were later cut from the film plus his recomposed versions of cues the director made him change (Goldsmith's original main theme, for example, appears without its signature heroic trumpet melody because the director thought it wasn't creepy enough). Disc 2 includes the original soundtrack as issued on LP plus six other bonus tracks of demonstration takes and even the brief except from Eine kleine Nachtmusik used in the film. The stereo sound here is fabulous, the performances definitive, and the liner notes exhaustive. And the score, like the film, is a classic of its genre. With its mixture of the ecstatic chromaticism of Scriabin, the skittering strings of Penderecki, the harmonic waves of Ligeti, and the atmospheric percussion of Herrmann, Goldsmith's score became a template for all subsequent science fiction/horror movies. But as this splendid release so amply shows, the original still can't be beat.

In 1977, Sir Lew Grade and acclaimed Italian director Franco Zeffirelli (Romeo And Juliet, the wonderful Mel Gibson Hamlet) were in the midst of finishing their sprawling six-hour miniseries about the life of Christ when they turned to veteran composer Maurice Jarre for the musical chores. While Jarre apparently had his reservations about doing work for television, in this case his fears turned out to be unjustified. With an all-star cast, exotic locations that spanned the globe, and most importantly the type of budget that could afford the kind of epic score Jarre had in mind, many still consider Jesus Of Nazareth to be one of the definitive filmic depictions of the J-man to date. Quite a feat, considering that the Guinness Book Of World Records calls Jesus the single most portrayed character in the history of cinema.