Vengeance Munich

Henri Reille, expert-comptable à Belprat, s'évertue à se fondre dans la masse et à ne jamais se faire remarquer. Il est très attaché aux boutons de manchette légués par son grand-père. Lorsqu'il découvre que son épouse les a offerts à son amant, il commet l'irréparable et s'enfuit. Sa cavale le mène d'Ostende à l'Argentine en passant par New York, poursuivi par un inconnu. …

Antonín Dvorák's Stabat Mater, Op. 58, written in the aftermath of the deaths of three of his children, is a sober and powerful work, inexplicably neglected and unlike any other work of choral music from the 19th century. Perhaps most performances don't capture its full weight, but this live recording from the Bavarian Radio Symphony Orchestra under Mariss Jansons, does so. There are many deep pleasures here. The orchestra's choir is extraordinary: rich yet without a hint of wobble and utterly clear in its sense of the text. Jansons keeps things at a deliberate pace that lets the music breathe and the currents of personal experience rise to the surface. The soloists, none terribly well known, are fine in their individual numbers, but absolutely transcendent in ensembles, nowhere more so that in the sublime "Quando corpus morietur" finale (track 10); there are a couple of other strong recordings of this work, but it seems likely that no one has ever matched this conclusion. The live recording from the Herkulessaal in Munich is impressively transparent and faithful to the spontaneity of the event. A superb Dvorák release.

As the second Millennium AD drew to a close, The Residents began to take stock on a couple of thousand years of reasonably fruitful human endeavour. One text, they felt, had inescapably set the tone and dominated the narrative throughout the Western world for most of that period, often clouding the view as they looked back. Sure enough, The Bible, Testaments Old and New, seemed like fertile ground for a confused, anonymous band approaching their fourth decade. Throughout 1998 and 1999, The Residents set about writing, recording and extensively touring a set of songs based around some of the more curious, unsettling and downright messed up stories they found upon revisiting their old Sunday School Bibles, and present here the results of those industrious years. Complete with demos and sketches, two full live recordings, a live-in-the-studio reworking and the usual assorted ephemera plus later live recordings, 'The Wormwood Box' showcases a project the band still think of very fondly, and have often revisited. Join us and marvel as the Eyeball Oddballs somehow cram murder, rape, incest, vengeance, slaughter and, erm, circumcision into a radio friendly pop format!

Du 9 au 10 novembre 1938, les synagogues flambent de Munich à Rostock. L'un des pires pogroms de l'histoire allemande vient de commencer. Pour justifier cette explosion de violence, les nazis n'invoquent qu'un motif : l'attentat commis au coeur de Paris par un jeune juif polonais contre un diplomate du Reich. …

Martin Schulse et Max Eisenstein, deux amis d'enfance, possèdent une galerie d'art à San Francisco. Malgré la crise qui a frappé les États-Unis puis le reste du monde depuis 1929, l'affaire marche plutôt bien. Martin, qui avait le mal du pays, rentre chez lui, à Munich. Max continue à faire tourner la boutique. Tout irait pour le mieux, mais en janvier 1933, le maréchal Hindenburg nomme à la chancellerie le chef du parti nazi, un certain Adolf Hitler. Max, qui est juif et qui s'inquiète pour sa sœur restée en Allemagne, demande à son grand ami Martin de veiller sur elle. …