Waking From The Dream

The Dream Of Delphi is an ode to motherhood created in LA, Natasha’s second home, during the Covid-19 pandemic. It’s a sonic archive of a time when Natasha birthed her daughter Delphi earth side. The record weaves together ten song poems, documenting the polarity of navigating both an exterior world that was seemingly turning upside down, whilst also experiencing theprofoundly personal and transformational early moments of mothering Delphi, named after the Greek Oracle, the ancient future teller.

The Dream Of Delphi is an ode to motherhood created in LA, Natasha’s second home, during the Covid-19 pandemic. It’s a sonic archive of a time when Natasha birthed her daughter Delphi earth side. The record weaves together ten song poems, documenting the polarity of navigating both an exterior world that was seemingly turning upside down, whilst also experiencing theprofoundly personal and transformational early moments of mothering Delphi, named after the Greek Oracle, the ancient future teller.

The Dream Of Delphi is an ode to motherhood created in LA, Natasha’s second home, during the Covid-19 pandemic. It’s a sonic archive of a time when Natasha birthed her daughter Delphi earth side. The record weaves together ten song poems, documenting the polarity of navigating both an exterior world that was seemingly turning upside down, whilst also experiencing theprofoundly personal and transformational early moments of mothering Delphi, named after the Greek Oracle, the ancient future teller.

Remix albums often can be cynical exercises, lacking even tacit approval from the original bands in question while hired hands spin out boring extended versions for little more than the money. Happily, Hybrids takes a much different approach. As Doug H. of Hydrogen Dukebox, the coordinator of the project, puts it in the liner notes, screening who wanted to participate was simplicity itself: "If they couldn't sing 'Mad-Eyed Screamer' down the phone, I hung up." Assured of actual fan participation and a willingness to really get creative work, the Creatures gave Doug H. the go-ahead and this is the truly entertaining result. Tracks all come from the Creatures' late-'90s work on Anima Animus and Eraser Cut, and while some tracks seem to use only Sioux's vocals instead of Budgie's drums, the end results generally make a fine adjunct to the original recordings.

The technically proficient guitar playing of John Petrucci elevated Dream Theater to the upper echelons of contemporary heavy metal. While its lineup has continuously evolved, the Long Island-based quintet has consistently delivered sharp-edged music…