For almost 60 years, Elder Charles Beck enjoyed widespread recognition as a singer, pianist and trumpeter, as well as a preacher, church leader and civil rights activist. From 1930 until the late 1950s Beck recorded for Decca, Bluebird, Gotham, King and Chess labels. His lively services at his church in Buffalo, New York gave Beck renown even in folk music circles.
Phronesis are a dynamic trio who need little introduction. Their fourth album, Walking Dark, is the highly anticipated follow-up to the acclaimed Alive [Edition EDN1021], which was voted Jazz Album of the Year by both Jazzwise and MOJO magazines in 2010. Since the success of this release, the band has toured widely across Europe and North America, earning consistent praise for their vibrant live performances. Formed by Danish bass player Jasper Høiby in 2005, the energy and individuality of Phronesis comes from an extraordinary democracy of expression and almost telepathic empathy between the musicians - three of the finest players on the European jazz scene today.
Rock And Roll Hall Of Fame inductee and JOURNEY member Jonathan Cain will release his fourth solo album in as many years, "More Like Jesus", on May 3 via Identity Records with The Fuel Music distribution.
One has to give credit to an '80s new wave musician who can adapt and create contemporary-sounding music. There are icons from that era who continue to release new recordings - Depeche Mode and the Cure, for example - but don't evolve musically; the sound is unchanging as if they were still back in the decade. This is not a bad thing, however; core listeners are usually who buy these artists' newly released albums and they don't generate new fans. That said, hats off to '80s Brit popster Gary Numan, best known for the hit "Cars," who offers up a modernized industrial-goth set in Pure. The album can comfortably sit alongside Marilyn Manson and Nine Inch Nails on store shelves. Pure doesn't drive like the industrialized adrenaline rush that is, say, Orgy, but the tracks' lingering and creepy pace leaves behind a different kind of impact - it's more haunting than relentless…
One has to give credit to an '80s new wave musician who can adapt and create contemporary-sounding music. There are icons from that era who continue to release new recordings - Depeche Mode and the Cure, for example - but don't evolve musically; the sound is unchanging as if they were still back in the decade. This is not a bad thing, however; core listeners are usually who buy these artists' newly released albums and they don't generate new fans. That said, hats off to '80s Brit popster Gary Numan, best known for the hit "Cars," who offers up a modernized industrial-goth set in Pure. The album can comfortably sit alongside Marilyn Manson and Nine Inch Nails on store shelves. Pure doesn't drive like the industrialized adrenaline rush that is, say, Orgy, but the tracks' lingering and creepy pace leaves behind a different kind of impact - it's more haunting than relentless…