Wet Down

Obliterating the concept of guilty musical pleasures, I Get Wet turns hair metal hedonism, punk energy, and pop melodies into an instant, insistent blast of fun with all the power of a beer commercial. From the opening anthem, "It's Time to Party," to the excellently named finale, "Don't Stop Living in the Red," the album is all climax – the blasting guitars, blaring keyboards, and Andrew W.K. himself are all turned up to 11 throughout. W.K. is a one-man manifesto, dedicated to spreading the way of the party with songs like "Party Hard" ("We do what we like and we like what we do!" could be "Dirty deeds done dirt cheap" several generations down the road), "Party Til You Puke," and "I Get Wet," and the fact that he looks like the stoner bully from high school only adds to his cred. Guessing whether or not Andrew W.K. is a big joke or not is almost beside the point; he comes on so strong that he either really means it, maaan, or he's got his tongue stuck firmly in his bloodied cheek.

Taking a step away from brain-frying space-rock/psych wig-outs harnessed in their 15 years playing together in Lumerians (who broke up in 2020), the duo describe Wet Satin as “An expression of reverence and enthusiasm growing from a long-time shared obsession with lost Cosmic Disco, Cumbia, Afrofunk and Library Music records.”…

Slippery When Wet wasn't just a breakthrough album for Bon Jovi; it was a breakthrough for hair metal in general, marking the point where the genre officially entered the mainstream. Released in 1986, it presented a streamlined combination of pop, hard rock, and metal that appealed to everyone – especially girls, whom traditional heavy metal often ignored…

Slippery When Wet wasn't just a breakthrough album for Bon Jovi; it was a breakthrough for hair metal in general, marking the point where the genre officially entered the mainstream. Released in 1986, it presented a streamlined combination of pop, hard rock, and metal that appealed to everyone – especially girls, whom traditional heavy metal often ignored. Slippery When Wet was more indebted to pop than metal, though, and the band made no attempt to hide its commercial ambition, even hiring an outside songwriter to co-write two of the album's biggest singles. The trick paid off as Slippery When Wet became the best-selling album of 1987, beating out contenders like Appetite for Destruction, The Joshua Tree, and Michael Jackson's Bad.