When The Body Says No:

You live with it 24 hours a day. But how well do you really know it? These 32 lectures are your owner's manual to a remarkably complex, resilient, and endlessly fascinating structure: the human body. Your guide is Dr. Anthony A. Goodman—surgeon, professor, and writer—who takes you step by step through the major systems of the body, explaining exactly how things work and why they sometimes don't.

French stage actor Louis Ducreux makes his film debut as a 76-year-old traditionalist painter, Monsieur Ladmiral, in this bittersweet portrait of a brooding artist. A widower, Ladmiral lives on an estate in the countryside near Paris with only his housekeeper, Mercedes (Monique Chaumette), and his paintings to keep him company. The action of the film takes place on a bright autumn Sunday in the early 1900s when Ladmiral's son, Gonzague (Michel Aumont), and Gonzague's wife, Marie-Therese (Genevieve Mnich), come out from Paris with their three children to visit the old man. While making small talk with Gonzague, Ladmiral hints ever so subtly that his son has become too bourgeois, too conformist, too accepting of the status quo. Apparently, Ladmiral doesn't want his son to face what he is facing: self-recrimination for failing to take risks, failing to go beyond the bounds of tradition.

When are we responsible for our own actions, and when are we in the grip of biological forces beyond our control? This intriguing question is the scientific province of behavioral biology, a field that explores interactions among the brain, mind, body, and environment that have a surprising influence on how we behave—from the people we fall in love with, to the intensity of our spiritual lives, to the degree of our aggressive impulses. In short, it is the study of how our brains make us the individuals that we are.