When The Body Says No:

Angel Baby by Rosie & The Originals is one of those oldies around which an entire legend, if not a career, has been built, such is its lasting impact among a generation of a certain age. Rosie Hamlin's primordial squeak, with its pangs of earnest yearning, was a sound with which every adolescent female in America could identify because they knew instinctively that she was one of their own. As Phil Spector used to ask his flunky, Sonny Bono, when the latest Spector masterpiece was blasting back at them over the studio monitors - "Is it dumb enough?" "What he meant was, did it grab the kids at their level enough to make them go out and buy it," Bono later remarked.

The Luvmenauts, a genre-defying Canadian musical collective, proudly unveil their highly anticipated sophomore album, “Ephemera.” Expanding on their signature sounds, this sonic odyssey pushes boundaries, blending bizarro riffs, post-rock freakouts, and synth-heavy head nodders into a mesmerizing fusion that transcends traditional genre labels.

The Magic School Bus is a series of children's books about science. They feature the antics of Ms. Frizzle, an elementary school teacher, and her class of eight children (in the original books, the class population was at a larger and more standard amount), who board a magical school bus which takes them on field trips into the solar system, under the Bed, into the American Flag, or to other such impossible locations. The books are written in the first person from the point of view of an unnamed student in "the Friz's" class. The class pet, Liz, an anthropomorphic lizard, accompanied the class on their field trips.
Since the Magic School Bus books present scientific facts in the form of stories in which fantastic things happen (for example, a bus turns into a spaceship, or children shrink to the size of blood cells), each book has a page at the end detailing in a humorous manner which parts of the book represented scientific fact and which were fanciful storytelling. In the books' television adaptation, this was replaced by the Producer Says segment at the end of each episode, in which the producer of the show (voiced by Malcolm-Jamal Warner of The Cosby Show fame) receives phone calls from kids complaining about how some things that happened on the show couldn't happen in real life. This allows the show to explain the specific facts in question and why they had to be disregarded to a degree because of the need for dramatic license.

The 13th Floor Elevators were an American rock band from Austin, Texas, which existed from 1965 to 1969. During their career, the band released four LPs and seven 45s for the International Artists record label. This 4x discs set contains all four of the original Elevators albums that were released on the International Artists label from 1966 to 1968, remastered and collected in a clam box with extensive new notes by band expert Paul Drummond. In addition to the stereo versions of the three 'studio' albums, which were remastered and remixed from the original tapes in 2007 by the original producer Walt Andrus, the set also includes a completely new mix of 1968's "Live" album, minimizing the fake applause that was added to the recordings and removing glitches that blighted previous versions.

The Sunshine Company's very name summons the spirit of the mini-genre of 1960s pop-rock that, long after its heyday, was named sunshine pop. So does their music, with the requisite exquisite multi-part male-female harmonies, buoyant optimism, and luxuriant late-1960s L.A. studio production. Look a little under the surface, though, and you find tinges of eccentric melancholy that set them apart from many of the frothy Mamas and the Papas-like groups of the period. Just as their music was more multi-dimensional than you might be led to believe by their trio of Top 100 hits, so was their story more complex than many would imagine. Could there have been any other band whose brief career whisked them through the orbits of the Carpenters, the Fifth Dimension, Jackson Browne, the Jefferson Airplane, Mary McCaslin, and John Davidson, ending at the even unlikelier destination of a pre-stardom Gregg Allman?