Columbia Records dropped Jimmy Giuffre following 1962’s experimental Free Fall, and he didn’t record another album for nine years. The period in-between has been called his “lost decade,” but the clarinetist-saxophonist kept busy. His forward vision fit right in at the New York Festival of the Avant Garde in 1965, even though he wasn’t completely aligned with the New Thing. Giuffre’s set from the festival was recorded and broadcast once on Columbia University’s radio station, WKCR-FM, along with a session done earlier in the year in a college auditorium. Both sets are being released as New York Concerts, heard for the first time since those broadcasts, and they present some missing pieces of the Giuffre puzzle.
As the originator of the rhum-boogie, that amalgam of rhumba and boogie-woogie peculiar to New Orleans, Henry Roeland Roy Byrd a.k.a. Professor Longhair was a seminal influence on several generations of Crescent City stars, everybody from Fats Domino to Huey Smith to Allen Toussaint to Dr. John. But, as album producer (and controversial biographer of Elvis, John Lennon and Lenny Bruce) Albert Goldman writes in his liner notes to The Last Mardi Gras, the Professor was was wasting away in comparative obscurity while the record companies either refused to cut him or sat upon the records he had already made. So Goldman, who at the time was music critic for Esquire, campaigned in the magazine s pages for proper recognition of the New Orleans legend, and, lo and behold, Atlantic Records stepped forward with a 16-track mobile recording unit to get the job done.
Following the recording of several complete Baroque operas: Faramondo, Farnace, Artaserse, Alessandro, all received with unrestrained critical enthusiasm eg Gramophone Editor's Choice, BBC Music Magazine CD of the Month, Handel Recording Prize, Max Emanuel Cencic once again brings together a fine group of singers and orchestra for the rarely recorded Handel opera, 'Tamerlano'. The title role is taken by the exceptional counter-tenor, Xavier Sabata.
JS Bach and Vivaldi s' Magnificat's: desert island repertoire to illustrate the splendour of the orchestra Le Concert des Nations and choir of La Capella Reial de Catalunya. Jordi Savall offers a vivid and striking performance of these two masterpieces, recorded live at the Royal Chapel in Versailles in 2013. Each of them is introduced by a concerto by the same composer in the same tonality. The superlative performance of Pierre Hantaï in the Concerto BWV1052 is another jewel to the crown of this album. The bonus DVD features both Magnificats and Bach s Concerto.
Given away free with Rock Society magazine, the journal of the Classic Rock Society. The Classic Rock Society was founded in 1991 to promote Classic and Progressive Rock. The organisation produces Rock Society, a bi monthly glossy colour magazine with news, reviews, interviews and features on rock. Featuring the finest music from: Robert Reed, Agnieszka Swita, Hi Fiction Science, Karfagen, Tim Bowness, JPL, Abel Ganz, Arilyn, Huis, Minor Giant.