As would be expected of this conductor, Yevgeny Mravinksy leads a highly intense reading of Shostakovich's Symphony No. 8.
–Victor Carr Jr
If you take it for granted that Arturo Benedetti Michelangeli was the greatest pianist of the twentieth century and that his performances of Beethoven's "Emperor" Concerto were the greatest of the twentieth century, then you'll probably want to pick up this disc containing Michelangeli's fabled May 29, 1957, performance in Prague with Vaclav Smetacek and the Prague Symphony Orchestra. Although Smetacek is not the deepest, the greatest, or the most sympathetic accompanist Michelangeli ever had, and although the Prague players are not always quite on their best behavior, Michelangeli is as he always is in this work: absolutely definite.
Like so many Russian musicians, Mravinsky seemed first headed toward a career in the sciences. He studied biology at St. Petersburg University, but had to quit in 1920 after his father's death. To support himself, he signed on with the Imperial Ballet as a rehearsal pianist. In 1923, he finally enrolled in the Leningrad Conservatory, where he studied composition with Vladimir Shcherbachov and conducting with Alexander Gauk and Nikolai Malko. He graduated in 1931, and left his Imperial Ballet job to become a musical assistant and ballet conductor at the Bolshoi Opera from 1931 to 1937, with a stint at the Kirov from 1934. Mravinsky gave up these posts in 1938, after winning first prize in the All-Union Conductors' Competition in Moscow, to become principal conductor of the Leningrad Philharmonic. He remained there until his death, long ignoring many guest-conducting offers from abroad.
Kurt Sanderling (1912–2011), born in Prussia, fled Germany for the USSR on the invitation of his Jewish relatives living there, to seek artistic and personal refuge from the Nazi regime.
The Symphony No. 5 in D minor, Op. 47, by Dmitri Shostakovich is a work for orchestra composed between April and July 1937. Its first performance was on November 21, 1937, in Leningrad by the Leningrad Philharmonic Orchestra under Yevgeny Mravinsky. The premiere was a huge success, and received an ovation that lasted well over half an hour.
A tribute to Alexander Glazunov who turned post-Tchaikovsky Russian musicians into true professionals. He was a composer emeritus and helped raise the profile of classical symphonies and ballet music before and after the mighty Group of Five…
Born in 1943 in the Latvian capital of Riga, Mariss Jansons grew up in the Soviet Union as the son of conductor Arvid Jansons, studying violin, viola and piano and completing his musical education in conducting with high honours at the Leningrad Conservatory. Further studies followed with Hans Swarovsky in Vienna and Herbert von Karajan in Salzburg. In 1971 he won the conducting competition sponsored by the Karajan Foundation in Berlin. His work was also significantly influenced by the legendary Russian conductor Yevgeny Mravinsky, who engaged Mariss Jansons as his assistant at the Leningrad Philharmonic in 1972. Over the succeeding years Mariss Jansons remained loyal to this orchestra, today renamed the St. Petersburg Philharmonic, as a regular conductor until 1999, conducting the orchestra during that period on tours throughout the world. From 1971 to 2000 he was also professor of conducting at the St. Petersburg Conservatoire.