Zztop BR

Eliminator is the eighth studio album by the American rock band ZZ Top. It was released on March 23, 1983, by Warner Bros. Records. Recorded in Tennessee during 1982, the album was produced by the band's manager Bill Ham and peaked at the top of the charts in many countries. "Gimme All Your Lovin'", "Got Me Under Pressure", "Sharp Dressed Man", "TV Dinners" and "Legs" were released as singles. A Diamond certified album, Eliminator is ZZ Top's most commercially successful release, with sales of over 10 million copies in the United States. The band wanted to expand on the synthesizer sound of their 1981 album El Loco. Influenced by new wave, Eliminator′s tracks were recorded with a combination of the synthesizer, drum machine and sequencer. Often considered ZZ Top's most popular release, the record was ranked at number 398 in Rolling Stone magazine's 500 Greatest Albums of All Time and was listed at number 39 in The 100 Greatest Albums of the 80s.

Following 2004's Rancho Texicano: The Very Best of ZZ Top by a decade, The Very Baddest of ZZ Top comes in two different styles: a single-disc compilation with 20 tracks and a set that doubles it. The single disc is good, racking up most of the MTV-era hits – "Gimme All Your Lovin," "Sharp Dressed Man," "Legs," "Got Me Under Pressure," "Rough Boy," "Velcro Fly" – while doubling back for "La Grange, "Tush," "I Thank You," "Waitin' for the Bus," "Jesus Just Left Chicago," "I'm Bad, I'm Nationwide," and "Cheap Sunglasses." It's enough to satisfy the very casual fan, but even a quick glance at the track listing reveals plenty of missing favorites: no "Pearl Necklace," "I Heard It on the X," "It's Only Love," "Francine," "Just Got Paid," and "Sleeping Bag."

The very title of Goin' 50 suggests ZZ Top are considering their 50th anniversary as an event to be celebrated with a sense of humor. That's appropriate. Good spirits and lascivious jokes always have been integral to the trio's appeal, and they can be heard in abundance on this triple-CD/five-LP set that tells their story from beginning to end (there is also a single-disc edition that rounds up the highlights). Other compilations cover similar ground more succinctly – if you want just the hits, look elsewhere, or grab the single-disc incarnation of this 2019 set.

The very title of Goin' 50 suggests ZZ Top are considering their 50th anniversary as an event to be celebrated with a sense of humor. That's appropriate. Good spirits and lascivious jokes always have been integral to the trio's appeal, and they can be heard in abundance on this triple-CD/five-LP set that tells their story from beginning to end (there is also a single-disc edition that rounds up the highlights). The set breaks down into three easy acts: the band's greasy early years, spanning from "La Grange" to "Pearl Necklace," are on the first disc; the second installment covers their MTV glory days; the third CD traces the aftermath of Afterburner, beginning with "Viva Las Vegas" and ending with the 21st century barnburner "I Gotsta Get Paid" (plus recent live versions of "Waitin' for the Bus" and "Jesus Just Left Chicago," which brings this full circle to the beginning).

El Loco is the seventh studio album by the American rock band ZZ Top, released in 1981. The title means "The Crazy One" in Spanish. The band's guitarist/singer Billy Gibbons has said that the recording of this album was the first time the three members of the band were isolated from one another in the studio, rather than recording simultaneously in the same room. It also foreshadowed ZZ Top's synthesizer-driven direction later in the decade, with early experimentations in synthesizer backing on certain tracks.

Tejas is the fifth studio album by the American rock band ZZ Top. It was released in late November 1976. The title is a Caddo language word meaning 'friends', which is the origin of the name of the band's home state, Texas. On Tejas, ZZ Top countrified the bluesy posture of their previous albums, resulting in a slight detour between the madcap spirit of Fandango and the psychedelic strut of Deguello. While the album lacks any singles as strong as "Tush" or "La Grange," "Arrested for Driving While Blind" is one of ZZ's classic anthems, capturing the group's wacky humor and jaunty good-time boogie. Other highlights include the driving "Enjoy and Get It On," "Avalon Hideaway," and the fine instrumental "Asleep in the Desert."

ZZ Top returned after an extended layoff in late 1979 with Degüello, their best album since 1973's Tres Hombres. During their time off, ZZ Top didn't change much – hell, their sound never really changed during their entire career – but it did harden, in a way. The grooves became harder, sleeker, and their off-kilter sensibility and humor began to dominate, as "Cheap Sunglasses" and "Fool for Your Stockings" illustrate. Ironically, this, their wildest album lyrically, doesn't have the unhinged rawness of their early blooze rockers, but the streamlined production makes it feel sleazier all the same, since its slickness lets the perversity slide forth. And, forget not, the trio is in fine shape here, knocking out a great set of rockers and sounding stylish all the time. Undoubtedly one of their strong suits.

Tres Hombres is the third album by the American rock band ZZ Top. It was released in 1973. The album was the first of many times the band worked with Terry Manning as engineer. It was a successful combination as the release was the band's first commercial breakthrough. At the height of ZZ Top's success in the mid-1980s a digitally remixed version of the recording was released on CD and the original 1973 mix was no longer issued. The remix version created controversy among fans because it significantly changed the sound of the instruments, especially drums. The remix version was used on all early CD copies and was the only version available for over 20 years. A remastered and expanded edition of the album was released on February 28, 2006, which contains three bonus live tracks. The 2006 edition is the first CD version to use Manning's original 1973 mix.

El Loco is the seventh studio album by the American rock band ZZ Top, released in 1981. The title means "The Crazy One" in Spanish. The band's guitarist/singer Billy Gibbons has said that the recording of this album was the first time the three members of the band were isolated from one another in the studio, rather than recording simultaneously in the same room. It also foreshadowed ZZ Top's synthesizer-driven direction later in the decade, with early experimentations in synthesizer backing on certain tracks.