This long-lost session, not released initially until 1982, features pianist Bill Evans, tenor saxophonist Zoot Sims, guitarist Jim Hall, bassist Ron Carter, and drummer Philly Joe Jones interpreting seven of the pianist's recent originals. Due to some difficulties during the recording process (none of the sidemen were familiar with the often complex numbers), the results were originally shelved and lost for a couple of decades.
The first album ever from drummer Stan Levey, but a set that already shows his mighty talents as a leader! Stan wisely chose some great songs to work with here – penned by west coast highlights Jimmy Giuffre, Bob Cooper, and Bill Holman – and taken into a small combo mode that really shakes the tunes free of any of the larger Kenton-esque qualities of the composers. Giuffre is on the record – playing baritone in the sextet along with Zoot Sims on tenor, Conte Candoli on trumpet, Claude Williamson on piano, and Max Bennett on bass – about as great of a Bethlehem lineup as you could hope for at the time. Sims brings in a really rich sense of soul tot he record – and titles include "Drum Sticks", "Lightnin' Bug", "Exaktamo", and "Extraversion".
Pepper Adams' Plays Charlie Mingus is a watershed album in Adams' long career. For starters, Mingus himself had a hand in the selection of material for the dates, along with Adams and vibist Teddy Charles. Next, the two dates here, September 9 and 12, 1963, were recorded with two different bands. Most of the material was taped on the earlier date with an octet comprised of Adams, Mingus' own drummer, Danny Richmond, bassist Paul Chambers, and Thad Jones on trumpet and his brother Hank on piano. The latter date added Charles McPherson on alto, Zoot Sims on tenor, Bennie Powell on trombone, and had Bob Cranshaw replacing Chambers on bass.
These are the first recordings ever released under the name of Stan Getz. Four Savoy sides from July 1946 constitute one hell of a debut as Getz gets off with the expert backing of Hank Jones, Curly Russell, and Max Roach. "Opus de Bop" and "Running Water" are dazzlers, while "And the Angels Swing" and "Don't Worry 'Bout Me" reveal Getz's often-noted Lester Young influence. Six sides cut for Bob Shad's Sittin' in With record label in October 1948 are especially satisfying on account of pianist Al Haig, electric guitarist Jimmy Raney, bassist Clyde Lombardi, and drummer Charles Perry. All six tunes were composed by Getz and demonstrate an obsession with bop formulae. "Frosty," also known as "Flugelbird," was recorded about a month later for Shad's other label, Jax…
the 6LP-set of live recordings from the 1972 Newport Jazz Festival in New York, it was released on Cobblestone Records.