a Sea of Faces

Steve Marriott - Get Down To It 1973-1977 (2024)  Music

Posted by Rtax at May 23, 2024
Steve Marriott - Get Down To It 1973-1977 (2024)

Steve Marriott - Get Down To It 1973-1977 (2024)
WEB FLAC (tracks) - 526 MB | MP3 CBR 320 kbps - 192 MB
1:17:43 | Classic Rock, Blues Rock | Label: Cleopatra Records

The frontman for British hitmakers the Small Faces and Humble Pie, singer/guitarist Steve Marriott was born January 30, 1947 in London; a successful child actor, he played the role of the Artful Dodger in the musical Oliver! as a teen, but by the mid-'60s, he was working in a local music shop. There he met bassist Ronnie Lane, agreeing to jam with his band the Pioneers; Marriott soon joined the group full-time and, after adopting a sound influenced by American R&B and a look inspired by Mod fashions, they rechristened themselves the Small Faces. Though best-known in the U.S. for their hit "Itchycoo Park," at home, the Small Faces enjoyed much greater success, reeling off a series of smashes including "All or Nothing," "My Mind's Eye," and "Lazy Sunday" as well as the 1968 classic LP Ogden's Nut Gone Flake. The chart popularity of "Lazy Sunday" rankled Marriott, however – he'd recorded the song as a joke and it was released despite his objections – and when the more thoughtful "The Universal" failed to crack the Top 20, his dissatisfaction only increased.

Steve Marriott - Get Down To It 1973-1977 (2024)  Music

Posted by Rtax at May 23, 2024
Steve Marriott - Get Down To It 1973-1977 (2024)

Steve Marriott - Get Down To It 1973-1977 (2024)
WEB FLAC (tracks) - 526 MB | MP3 CBR 320 kbps - 192 MB
1:17:43 | Classic Rock, Blues Rock | Label: Cleopatra Records

The frontman for British hitmakers the Small Faces and Humble Pie, singer/guitarist Steve Marriott was born January 30, 1947 in London; a successful child actor, he played the role of the Artful Dodger in the musical Oliver! as a teen, but by the mid-'60s, he was working in a local music shop. There he met bassist Ronnie Lane, agreeing to jam with his band the Pioneers; Marriott soon joined the group full-time and, after adopting a sound influenced by American R&B and a look inspired by Mod fashions, they rechristened themselves the Small Faces. Though best-known in the U.S. for their hit "Itchycoo Park," at home, the Small Faces enjoyed much greater success, reeling off a series of smashes including "All or Nothing," "My Mind's Eye," and "Lazy Sunday" as well as the 1968 classic LP Ogden's Nut Gone Flake. The chart popularity of "Lazy Sunday" rankled Marriott, however – he'd recorded the song as a joke and it was released despite his objections – and when the more thoughtful "The Universal" failed to crack the Top 20, his dissatisfaction only increased.

Faces - Ooh La La (1973)  Music

Posted by plonker at Nov. 21, 2009
Faces - Ooh La La (1973)

Faces - Ooh La La (1973)
Rock | EAC rip | WavPack: IMG+CUE+EAC/log -> 208 MB | mp3@VBR V0 (248kbps) -> 60 MB
30:32 min | Artwork 600dpi | RAR inc. 3% recovery | UL & FF | Warner Archives 7599-26368-2 (Germany)

Enigma - Discography (1990 - 2016)  Music

Posted by Discograf_man at Sept. 25, 2018
Enigma - Discography (1990 - 2016)

Enigma - Discography (1990 - 2016)
FLAC (*image+.cue+log,scans) | Run Time: 16:36:42 | 10.87 Gb
Genre: New Age, Ambient, Electronic | Label: Virgin Records

Enigma is a German musical project founded in 1990 by Romanian-German musician and producer Michael Cretu. Cretu had released several solo records, collaborated with various artists, and produced albums for his then wife, German pop singer Sandra, before he conceived the idea of a New Age, Worldbeat project. He recorded the first Enigma studio album, MCMXC a.D. (1990), with contributions from David Fairstein and Frank Peterson. The album remains Enigma's biggest, helped by the international hit single, "Sadeness (Part I)", which sold 12 million units alone. According to Cretu, the inspiration for the creation of the project came from his desire to make a kind of music that did not obey "the old rules and habits" and presented a new form of artistic expression with mystic and experimental components.
Various Artists - Across the Great Divide: Getting It Together in the Country 1968-1974 (2019) {3CD Set, Grapefruit Records}

Various Artists - Across the Great Divide: Getting It Together in the Country 1968-1974 (2019) {3CD Set, Grapefruit Records}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.51 Gb | MP3 @320 -> 559 Mb
Full Artwork @ 300 dpi (jpg) -> 29 Mb | 5% repair rar
© 1968-74, 2019 Grapefruit Records / Cherry Red | CRSEGBOX061
Rock / Folk Rock / Country Rock

As the Day-Glo tide of psychedelic that swept over the U.K. in the late '60s began to recede, something far less ornate and flashy took root in its place. Spurred on by the artistic and commercial success of Traffic's folk- and jazz-influenced debut album – which was recorded out in the countryside – the Byrds headlong plunge into country-rock on Sweetheart of the Rodeo, and the Band's brilliant slice of backwoods Americana, Music from Big Pink, all sorts of groups and artists sprouted up to play loose and wooly blends of organically grown folk, country, jazz, and rock. Some of the bands were beat group leftovers looking to evolve past paisley (the Searchers, the Tremeloes), some were city boys gone to seed (Mott the Hoople, the Pretty Things), and some were just weirdos like Greasy Bear, or lazy-Sunday balladeers like Curtiss Maldoon, all doing their own freaky thing.
The Boswell Sisters - The Boswell Sisters Collection (2010)

The Boswell Sisters - The Boswell Sisters Collection (2010)
XLD Rip | FLAC (tracks, cue, log) - 928 MB | MP3 CBR 320 kbps - 855 MB
5:57:48 | Jazz, Pop, Vocal | Label: Storyville Records

THE BOSWELL SISTERS The Boswell Sisters inauspiciously launched their recording career in New Orleans, their hometown, on March 22, 1925, but their first release, I’m Gonna Cry and Nights When I’m Lonely didn’t shake any rafters. Early local appearances featured Connie, the eldest, on cello, Helvetia (“Vet”) on violin, and Martha at the piano, but the city’s jazz environment made Connie and Vet switch to saxophone and banjo, respectively. At first, the singing was almost incidental, but it became their ticket to national attention five years later when they moved to New York and became a fixture on radio shows. The Boswell Sisters were notable for their tight harmony as well as their unique ability to modulate pitch and give familiar songs a new melodic twist. They were the cutting edge that inspired future groups, including The Andrews Sisters, who began their own career by emulating them, even down to their Southern accent. The exuberant sisters recorded a string of hits in the 1930s, sometimes teaming up with fellow vocalists, such as Bing Crosby and The Mills Brothers. Instrumental accompaniments are by some of the day’s most popular musicians and bands, including The Dorsey Brothers, Don Redman, Red Nichols, and Benny Goodman. Considering their popularity and impact, the sisters had a relatively brief run, disbanding in 1936 when Martha and Vel married outside of the music industry and decided to give priority to family life. Connie, however, continued and enjoyed a successful solo career. This boxed set contains the entire Boswell Sisters output of commercially released recordings—a remarkable set of performances that paved the way for the vocal trio genre.
Quincy Jones - Integral Quincy Jones And His Orchestra 1953 - 1959 (2024)

Quincy Jones - Integral Quincy Jones And His Orchestra 1953 - 1959 (2024)
WEB FLAC (tracks) - 1.6 GB | MP3 CBR 320 kbps - 831 MB
5:48:47 | Jazz | Label: Diggers Factory

"INTEGRAL QUINCY JONES AND HIS ORCHESTRA 1953 - 1959" is a recently released compilation album that showcases the early works of Quincy Jones and his orchestra. This album includes recordings from 1953 to 1959, highlighting the formative years of Jones' prolific career in jazz and big band music. The collection features a range of styles that Quincy Jones is known for, including mainstream jazz and big band arrangements. It offers a glimpse into the early development of Jones' signature sound, which later played a significant role in shaping modern music across various genres.

VA - 100 Greatest Soft Rock Anthems Ever.. (2019)  Music

Posted by ciklon5 at Sept. 7, 2019
VA - 100 Greatest Soft Rock Anthems Ever.. (2019)

VA - 100 Greatest Soft Rock Anthems Ever.. (2019)
FLAC tracks / MP3 320 kbps | 06:36:06 | 937 Mb / 2,5 Gb
Genre: Rock, Pop / Label: Warner Music Group - X5 Music Group

I Keep Forgettin is a song by singer-songwriter Michael McDonald, from his debut album If That's What It Takes. It was written by McDonald and Ed Sanford. Shes Gone is a song written and originally performed by pop music duo Daryl Hall and John Oates. It was included on album, Abandoned Luncheonette. Easy is a song by Commodores for the Motown label, from their fifth album, Commodores.
Quincy Jones - Integral Quincy Jones And His Orchestra 1953 - 1959 (2024)

Quincy Jones - Integral Quincy Jones And His Orchestra 1953 - 1959 (2024)
WEB FLAC (tracks) - 1.6 GB | MP3 CBR 320 kbps - 831 MB
5:48:47 | Jazz | Label: Diggers Factory

"INTEGRAL QUINCY JONES AND HIS ORCHESTRA 1953 - 1959" is a recently released compilation album that showcases the early works of Quincy Jones and his orchestra. This album includes recordings from 1953 to 1959, highlighting the formative years of Jones' prolific career in jazz and big band music. The collection features a range of styles that Quincy Jones is known for, including mainstream jazz and big band arrangements. It offers a glimpse into the early development of Jones' signature sound, which later played a significant role in shaping modern music across various genres.

VA - Lounge Music Cafe: Collection Vol. 11-20 (2013)  Music

Posted by Discograf_man at May 3, 2015
VA - Lounge Music Cafe: Collection Vol. 11-20 (2013)

VA - Lounge Music Cafe: Collection Vol. 11-20 (2013)
Lounge, Chillout, Downtempo, Ambient, Smooth jazz | MP3 CBR 320 kbps | 7,75 Gb
Label: Unknown label | Release Year: 2013

It is believed that the rush hour lounge music falls on the 50-60s. Then it executes unknown bands, but the rooms were great friends. While implementing lounge music could be called any musician who played in a cafe or restaurant to the public. In the 60s there were ensembles, records which are related to Lounge. Among them - the bands of James Last, Bert Kempferta, Paul Mauriat, Herb Alpert. Distinguished as a lounge music and musical design films, because this style of music can rightly be called the background.