Second only to J.S. Bach, Antonio Vivaldi is perhaps the most well-known and widely enjoyed composer of the Baroque era. Here, the world-renowned Accademia Bizantina plays Vivaldi's 12 Concertos, which include his most famous work, 'The Four Seasons.' Conducted by the passionate maestro Ottavio Dantone–who also joins on harpsichord–these pieces sounds rich and dramatic.
Comings and goings: mestizo musics. Baroque music of the colonial era in dialogue with the Flamenco. Arcángel and Fahmi Alqhai record the dialogue between flamenco and baroque music ‘Las idas y las vueltas’. Arcángel and Accademia del Piacere, conducted by Fahmi Alqhai, have finished recording the project ‘Las idas y las vueltas’. The album, which will come together with a DVD about the show, will be released this April by the independent label Alqhai&Alqhai. The disc will include the encounter between colonial baroque music and flamenco which the cantaor and the classical music group premiered at the 2011 International Music and Dance Festival of Granada, and which has already been presented at forums like the Auditorio Nacional in Madrid and Elche’s Medieval Festival, among others.
Este fantástico disco pensado especialmente para los amantes del Barroco, muestra la realidad de la música teatral española al despuntar el siglo XVIII. Con un poderío instrumental impresionante, unos arreglos hermosos y mucho talento, el disco propuesto por el director Fahmi Alqhai al frente de su Accademia del Piacere deja claro cómo el estilo italiano arraiga en España de mano de la corte borbónica fundiéndose con los ritmos y armonías locales que tanto influyeron en Sebastián Durón, uno de los nombres fundamentales de la renovación de la música española del momento.
Ottavio Dantone leads Accademia Bizantina and a top-level cast in the new production of one of Händel's most important works, the composer's operatic debut in the UK and the first Italian opera ever written for London: Rinaldo.
The plots, magic and charm of 18th century theatre come alive today, bringing us back to the fervour of the London of the time. A real gateway to the golden age of Baroque theatre, with attention to the rules and conventions that underpin the drama for music.