Accessibility For Everybody

Beginners Guide into Web Development : Master the fundamentals in under 11 hrs : Javascript : ChatGPT : HTML : CSS : NLP

Unveiling the Hidden Techniques and Strategies for Mastering Web Development : Javascript : ChatGPT : HTML : CSS : NLP

Writing For A Diverse Audience – Part 1

VirtualDJ is the hottest MP3 mixing software, targeting every DJ from bedroom DJs to professional superstars like Carl Cox. With its breakthrough BeatLock engine, your songs will always stay in the beat, and you can work your mixes incredibly faster than any other DJ could. The automatic seamless loop engine and the brand new synchronised sampler will let you perform astounding remixes live, with no preparation at all. The visual representation and the cues allow you to clearly see the song's structure, and never be surprised by a break anymore. The vinyl controls will let you scratch like on a real turntable, except that with the beatlock engine your scratches will never end out of the beat.

There is a moment near the top of jaimie branch’s FLY or DIE LIVE, the new album recorded by the trumpeter’s quartet in Zurich, Switzerland on January 23rd, 2020, which feels like it bears the weight of both that specific pocket of time, and a prophecy for all that was soon to come.

Fun, Easy-to-Follow Piano Instruction for Kids

"The Hot Record Society, a New York-based group of jazz recording enthusiasts organized in 1937 by Stephen W. Smith, quickly evolved from a clearinghouse and auction outlet for collectors into a real recording organization. … HRS recorded such outfits as Pee Wee Russell's Rhythmakers (an ad hoc group formed by members of Count Basie's and Eddie Condon's bands), Sidney Bechet and Muggsy Spanier, Rex Stewart's Big Seven, Brick Fleagle's Orchestra, Sandy Williams' Big Eight, Jimmy Jones, J.C. Higginbotham, Joe Thomas, Harry Carney, Buck Clayton, Trummy Young, the Billy Taylor Quartet, Russell Procope, Dicky Wells, Babe Mathews and Joe Thomas, and Billy Kyle. It's all here, 124 tracks encompassing everything from prewar New Orleans jazz to the early bop period of the mid-'40s, and while there are gaps … it's a good account of what happened with jazz over the decade represented here. Some of the selected material is a little odd, owing to choices made based on copyright accessibility (or nonexistence), and there are perhaps too many alternate takes for the novice listener. On the other hand, the sources are excellent, the recording venue was very fine, and the Mosaic people have done their usual excellent remastering job, so that, say, Budd Johnson's tenor sax and Jimmy Jones' piano on "Sunny Side Up" and "Strollin' Easy" sound incredibly clean and close, and Freddie Green's guitar gets one of its better showcases of the era. And the Brick Fleagle sides, starting with the extraordinary "Brick's Boogie," are almost worth the price of admission by themselves, just to hear what this overlooked, prodigiously talented musician had to offer in his prime, 60 years earlier."