Acid Jazz

Sonny Stitt & Don Patterson - Legends Of Acid Jazz Vol 2 (1968) {Prestige 00025218521024 rel 2006}
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© 1968, 2006 Prestige Records / Fantasy / Universal | 00025218521024
Jazz / Bop / Soul Jazz / Organ / Saxophone

Two-fer CD reissue combines two 1968 sessions, both featuring Stitt and Patterson, that were recorded on consecutive days (September 23-24, 1968), although one was issued under Patterson's name and the other under Stitt's. The first six songs were issued as the Patterson LP Funk You!, on which Patterson leads a date that also has Sonny Stitt and Charles McPherson on saxes and Pat Martino on guitar. The other players get about as much space as Patterson, and as 1960s jazz with organ goes, this is pretty straight-ahead and boppish, rather than soul-jazz (as so much organ jazz from that decade was).

Shirley Scott - Soul Sister (1999) {Prestige PRCD-24233-2 rec 1960-1964} (Legends of Acid Jazz Series)
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© 1960-64, 1999 Prestige Records / Fantasy | PRCD-24233-2
Jazz / Hard Bop / Soul Jazz / Organ

Few organ players can kick into swinging grooves with as relaxed a feeling as those Shirley Scott generates on these two outstanding sessions from the Sixties. She was associated early in her career with tenor saxophonists–most notably Eddie "Lockjaw" Davis and Stanley Turrentine–but Prestige Records regularly varied the settings in which she was presented on disc. These are two of the most unusual. The ever-tasteful guitarist Kenny Burrell shares the spotlight on tracks one through six, while Lem Winchester lends his vibraharp mastery to the remainder to help create a unique–and ultimately satisfying– organ/vibes front-line.

Matt Berry - Night Terrors: Nocturnal Excursions in Music (2017) {Acid Jazz–[PIAS] AJXCD415}
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© 2017 Acid Jazz / [PIAS] | AJXCD415
Rock / Progressive Jazz / Neo-Psychedelia / Indie Pop / Indie Folk

Matt Berry's excellent 2016 album, The Small Hours, was another step toward establishing the comedic actor as a serious musical force with roots in indie pop, folk, prog, and psychedelia. The Night Terrors EP is a brief companion release comprising remixes and retakes from the album, plus a handful of new songs. Saint Etienne and Clark do very different things to the prog-jazz title track with their mixes, the former delving into some laid-back, funky grooves that aren't as much terrifying as they are tasty, while the latter takes the terror part seriously and turns the song into something that sounds like whirling knife blades, possessed wind-up dolls, and scream-inducing jump cuts.

Various Artists - The Doors of Perception: Dope Funk, Psychedelic Soul and Acid Jazz From New York City '70-'74 (2000)
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© 1970-74, 2000 Castle Music / Sanctuary Records | CMRCD 092
Jazz / Soul Jazz / Acid Jazz / Funk / Groove / Psychedelic Soul

Dope funk, psychedelic soul and acid jazz from New York City '70-'74. UK compilation featuring 20 soul, funk and jazz classics from the legendary underground label best known for their acts, the Fatback Band and Black Ivory who are both represented here along with Dizzy Gillespie, Bobby Rydell and many more. Original vinyl from Perception and it's twin label today goes for a small fortune and has been sampled by DJ Shadow and KRS-One. Double slimline jewel case. 2000 release.

The Jazz Club series is an attractive addition to the Verve catalogue. With it's modern design and popular choice of repertoire, the Jazz Club is not only opened for Jazz fans, but for everyone that loves good music.

In apparent response to the sampling of old Latin jazz records by hip-hop artists, Verve raided its Cal Tjader archive to come up with this fiercely grooving collection drawn from nine of his Verve albums. For all of producer Creed Taylor's '60s penchant for fashioning two- to four-minute cuts aimed at airplay, he allowed Tjader's groups considerable room to stretch out on several of the tracks included here, particularly on the live "Los Bandidos" and the hypnotic collaboration with pianist Eddie Palmieri, "Picadillo." More importantly, Tjader's records with Taylor were more varied in texture than his earlier discs, venturing now and then from his solid Afro-Cuban base into Brazilian rhythms, soul, big-band backings, and '60s pop touches…

Summer 1988 and as Acid House raged across the UK pockets of resistance began springing up delicated to a very different beat. Inspired by Hip-Hop, Jazz and a wealth of Soul and Funk recordings stretching back to the 60's America, young musicians breathed life into old sounds, recorded new ones and set about spreading their message worldwide. Soul Jazz Sessions celebrates those bands, producers, and DJ's who took the next step into the studio and produced some dancefloor magic in the process.