Actors Mode

Histoire du soldat, or Tale of the Soldier (as it was first published), is an hour-long 1918 theatrical work to be "read, played and danced (lue, jouée et dansée)" by three actors, one or more dancers, and a septet of instruments. Its music is by Igor Stravinsky, its libretto, in French, by Swiss writer Charles Ferdinand Ramuz; the two men conceived it together, their basis being the Russian tale The Runaway Soldier and the Devil in the collection of Alexander Afanasyev.

Histoire du soldat, or Tale of the Soldier (as it was first published),[1] is an hour-long 1918 theatrical work to be "read, played and danced (lue, jouée et dansée)" by three actors, one or more dancers, and a septet of instruments. Its music is by Igor Stravinsky, its libretto, in French, by Swiss writer Charles Ferdinand Ramuz; the two men conceived it together, their basis being the Russian tale The Runaway Soldier and the Devil in the collection of Alexander Afanasyev.

Histoire du soldat, or Tale of the Soldier (as it was first published),[1] is an hour-long 1918 theatrical work to be "read, played and danced (lue, jouée et dansée)" by three actors, one or more dancers, and a septet of instruments. Its music is by Igor Stravinsky, its libretto, in French, by Swiss writer Charles Ferdinand Ramuz; the two men conceived it together, their basis being the Russian tale The Runaway Soldier and the Devil in the collection of Alexander Afanasyev.

The film is set in a small town near Warsaw, to which a young and coming director comes to produce a classic play (Wyspianski "Wyzwolenie") with a modern vein. Everyone in the production gets his usual stereotypical role, but the aging idol of the ensemble senses opportunity to give the performance of his life. For young director everything is already set. The leading man, however, is not giving up and is trying to restore the role according to his view. His wife listens to his fears, complaints and frustrations, while resigning herself to a fading career in a puppet theatre.

Here we have the 23rd Annual Screen Actors Guild Awards, the annual awards event in which the actors from film and television honor their best from the previous year.

Since the 1930’s, sound gurus referred to as Foley artists have recreated the sounds that infuse a film with life. During a film’s post-production, Foley artists recreate sound that will match the moving image on-screen, using whatever objects are at …

Since the 1930's, sound gurus referred to as Foley artists have recreated the sounds that infuse a film with life. During a film's post-production, Foley artists recreate sounds then will match the moving image on-screen, using whatever objects are at their fingertips, from hundreds of pairs of old shoes to clunky old tools and squeaky mattresses. But how will Hollywood's low-tech sound artists survive as digital technology consumes modern movie making?

Here we have the 23rd Annual Screen Actors Guild Awards, the annual awards event in which the actors from film and television honor their best from the previous year.

The gripping true story of a boy abducted from the streets of Elizabethan London, and how his father fought to get him back. Presented by acclaimed children's author and academic Katherine Rundell, this intriguing tale is set behind the scenes in the golden age of Shakespeare and sheds a shocking light on the lives of children long before they were thought to have rights. Thirteen-year-old Thomas Clifton was walking to school on 13 December 1600, when he was violently kidnapped. And what's most extraordinary is that the men who took him claimed that they had legal authority to do so from Queen Elizabeth I herself.