Following on from 2010’s best-selling Beginner’s Guide to African Funk comes the Beginner’s Guide to African Blues – an essential primer to the African Blues and Desert Blues scenes that have dominated world music in recent years. Featuring Afro-Blues legends such as Ali Farka Toure & Boubacar Traore, the new school of Afro-superstars such as Toumani Diabate & Rokia Traoré plus global-Afro-fusionists such as Justin Adams & Juldeh Camara & Dub Colossus, Beginner’s Guide to African Blues tells the story of African Blues in the 21st century.
A great compilation can open the gate to another world. Who knew that some of the most exciting Afro-funk records of all time were actually made in the small West African country of Benin? Once Analog Africa released the first African Scream Contest in 2008, the proof was there for all to hear, gut-busting yelps, lethally welldrilled horn sections and irresistibly insistent rhythms added up to a record that took you into its own space with the same electrifying sureness as any favourite blues or soul or funk or punk sampler you might care to mention.
Spirituals, guitar evangelists, "shout" bands, quartets, and choirs sing out the sacred sounds of African American gospel music. This Smithsonian Folkways "Classic" spans over a half century of select recordings to paint a broad panorama of this cherished American musical creation. Reverend Gary Davis, Sister Ernestine Washington, Sonny Terry, the Fisk Jubilee Singers, and Elizabeth Cotten are among those featured on these 24 tracks of soulful song.
George Russell's The African Game is a major statement, a highly eclectic, nine-part, 45-minute suite for augmented big band that attempts to depict no less than the evolution of the species from the beginning of time to the present from an African perspective. Well, yes, this theme has been taken on by many an ambitious artist in every field, but Russell's work is remarkably successful because it tries to embrace a massive world of sound in open, colorful, young-thinking terms, with degrees of timbral unity and emotion to keep the idioms from flying out of control.