Intelligent music played by intelligent players for an intelligent audience. This concept album centres around the concept of transhumanism where ageing is no longer a disease at the Valhalla biotech. One can imagine the type of music that can be experienced on such a conceptual album, but it constantly draws the listener in with a powerful storyline that borders on reality but is set in the not too distant future. There are some incredible moments on this such as the tracks "we regret to inform you", "circuit court", "life", "the best and brightest" and "more life". The high strangeness can be likened to Frank Zappa meets Caravan as occasionally the weirdness really overshadows the music…
From the twelfth century (Saint Hildegard) to the twenty-first, the voices of The Gesualdo Six weave a meditative reflection around the ancient Office of Compline in a moving sequence of music from fourteen composers.
The Orlando Consort performs the music of Machaut, the most significant French poet and composer of the fourteenth century. Sometimes described as ‘the last of the trouvères’ because of his dual talents as poet and musician, Machaut built on past traditions yet spearheaded a new school of lyric composition. In the field of literature, he developed several of the poetic forms and genres that dominated for generations to come. His impact on the musical life of his age was equally profound; he is closely associated with the new style of polyphonic love-song that became so popular in the fourteenth century, and today is considered the supreme representative of the Ars nova musical tradition that revolutionized composition and notation in that period.
The latest postcard from The Chills’ epic journey is an album about “consolidation, re-grouping, acceptance and mortality,” claims the chief Chill. “Hopefully a kind of Carole King ‘Tapestry’ for ageing punks.”