al di Meola

Generally speaking, guitar wizard Al Di Meola has divided his musical attentions over the years between electric and acoustic, fusion and world music directions. This time out he splits the difference with some dazzling results. Coming off his short-lived reunion with Return to Forever, Di Meola returns to the solo spotlight with Pursuit of Radical Rhapsody, a strong and varied effort that moves mostly in the acoustic direction and features some high-profile personnel, including pianist Gonzalo Rubalcaba and bassist Charlie Haden.

With this recording, Al di Meola thankfully left behind the pop-fusion sound that he had perfected with Jan Hammer. This was his first venture using the Roland guitar synthesizer and a drum machine. The technology used on this recording sounds dated, but the intent seems genuine. Jan Hammer's Miami Vice sound can be heard throughout, especially on "Sequencer"; di Meola places more emphasis on composition and production than on his famous technique.

Al di Meola, who in his early days sometimes sacrificed feeling for speed (he always had remarkable technique), grew and developed through the years. His final of three Manhattan releases is his finest, a sextet outing with keyboardist Kei Akagi, electric bassist Anthony Jackson, acoustic bassist Harvie Swartz, drummer Tommy Brechtlein, and his longtime percussionist, Mino Cinelu. Having grown out of his fusion roots, di Meola's interest in world music and folk music from other countries is displayed throughout this colorful set, particularly on such numbers as "Beijing Demons," "Song to the Pharoah Kings," and the exciting "Rhapsody of Fire."

Now that the whole Return to Forever reunion experience is in his rearview mirror (and unlikely to be repeated ever again), guitar star Al Di Meola is pursuing his own musical vision with newfound conviction via his World Sinfonia. Essentially an acoustic ensemble featuring Fausto Beccalossi on accordion and Di Meola’s longtime collaborator Gumbi Ortiz on cajon and assorted hand percussion, along with second guitarist Peo Alfonsi, bassist Victor Miranda and drummer Peter Kaszas, this edition of the World Sinfonia has developed a tightly knit chemistry through frequent touring. This limited-edition release, the first in a series of live recordings being sold initially at World Sinfonia gigs, documents their easy rapport in concerts held in Seattle, San Francisco and Istanbul.

Al di Meola's fifth of seven fusion albums as a leader for Columbia is a typically fiery effort, with di Meola joined by keyboardist Jan Hammer, electric bassist Anthony Jackson, drummer Steve Gadd, percussionist Mingo Lewis, and guest spots for flamenco guitarist Paco de Lucía ("Passion, Grace & Fire") and keyboardist Philippe Saisse. This lesser-known effort is easily recommended to fans of rock-ish jazz guitar.

This 1985 album from Al Di Meola followed on the heels of Pat Metheny's accomplished masterpiece, THE FIRST CIRCLE, and it bears a close resemblance. It's full of smooth, latin-flavored jazz complementing Di Meola's incomparable speed and technical excellence on guitar. "Capoeira" is worth the price of this CD alone – gorgeous and breezy Brazilian style with Portuguese vocals by percussionist Airto Moreira. It's what Jobim could have sounded like had he been younger and actively writing in the 80's.

Generally speaking, guitar wizard Al Di Meola has divided his musical attentions over the years between electric and acoustic, fusion and world music directions. This time out he splits the difference with some dazzling results. Coming off his short-lived reunion with Return to Forever, Di Meola returns to the solo spotlight with Pursuit of Radical Rhapsody, a strong and varied effort that moves mostly in the acoustic direction and features some high-profile personnel, including pianist Gonzalo Rubalcaba and bassist Charlie Haden.