Alex Right

For "Classical 90s Dance 3" Alex Christensen has again brought national and international superstars as guests into the studio: Natasha Bedingfield, Maite Kelly, Eloy de Jong, Thomas Anders and Giovanni Zarrella. There is a reunion with one or the other voice of the first two albums like Yass, Linda Teodosiu, Asja Ahatovic and Polina.

When Alex Christensen published his ambitious project Classical 90s Dance in October 2017, he was sure of the curiosity of colleagues, fans and the media. As the most important German initiator of the techno, dance and eurodance movement, he initially worked as a DJ and composer, but quickly also as a producer of world fame.

Austrian Syndicate…the phrase immediately brings to mind the best-known and most influential of all Austrians in jazz, Joe Zawinul. And yet David Helbock’s project is much more than just a homage to his compatriot. It is a return to the roots of fusion jazz and how things developed from then on. It is also a new direction stylistically for Helbock, who has harnessed a panoply of inspiration with a refreshing openness to new sounds from far and wide. As Helbock himself puts it: "This is close to my heart." Helbock has been able to enlist the best rhythm section in Austria for the Syndicate: Raphael Preuschl on bass and bass ukulele, drummer Herbert Pirker and percussionist Claudio Spieler. The quintet also has an American in it, one for whom becoming Austrian was a matter of choice: pianist Peter Madsen. This Austrian supergroup is also a place where Helbock’s stellar international guests shine brightly: Maria João, Fred Wesley, Dhafer Youssef, Alex Acuña and Lakecia Benjamin.

Two discs of 1972-1977 BBC performances by the Sensational Alex Harvey Band with excellent sound are collected on this set, though it's not quite as lengthy as you might assume, adding up to about an hour and a half in all (with only about half an hour on the second disc). There aren't great surprises in store for those familiar with Harvey's BBC work during this, his commercial peak. As was also true of his records, his reputation as a truly sensational live visual performer isn't quite mirrored by this audio-only document. Too, the only song that doesn't appear on his studio releases of this time is a 1972 cover of "Dance to the Music," which might be energetic but certainly wouldn't give Sly & the Family Stone cause to worry.