On the evidence of this sensational disc, it seems clear that Sharon Bezaly is a flutist virtually without peer in the world today. The only serious competition for top position comes from Emmanuel Pahud, also a superb artist but one whose discography, fine enough in and of itself, fails to rise to Bezaly's level either in terms of imaginative programming or in its commitment to commissioning and recording worthy new works for the instrument./quote]
The second volume of Ace’s Shirelles reissue project finds our heroines firmly entrenched as America’s premiere group. Shirley, Doris, Beverly and Micki (“Mouse” to her friends) were on top of the world as they rang in 1962 at the Apollo Theater’s holiday show – the youngest-ever women to headline Harlem’s fabled showplace. 1961 had seen them rise to dizzying heights with seven major hits, numerous TV appearances and non-stop touring, including an appearance at the Hollywood Bowl. The craze they had incited was booming – the Apollo bill featured the Marvelettes, who had recently become the second girl-group chart-toppers.
This commemoration of the 300th anniversary of the death of Biber is subtitled ‘In the midst of life we are in death’ and divided into ‘Vita’ and ‘Mors’. The ‘Life’ section consists of the Mass interspersed with all but two of the pieces by other composers listed above; ‘Death’ wraps the Praeludium and Lassus’s Media vita… round the Requiem.