And I Still Rise

Join us as we take you back in time through the eras of Pop with a Live Now thats what I call pop groups show and host DJ!

Louisiana chansonnier and axe wielding patron saint of hopeless causes Kevin Gordon weaves southern gothic tales of lovable losers to the beat of juke joint blues. Tilt and Shine has the wooly headed feel of an opiate high, full of fuzzy electric guitars droning like cicadas in the heat. This album is a day drunk romp with a bard of the swamp. Case in point: opening track “Fire At The End Of The World”. Finally, a song about learning to buy and sell good drugs from your grade school’s drug prevention program (taught by the local police force). Hell, that’s how I learned. I can still remember them burning weed for us so we could identify it’s odor. I thought I was the only one.

Sometimes it can feel like you haven’t really had a holiday at the end of the Christmas and New Year break. What with all the preparation that goes in to the Christmas dinner, the packing and unpacking from being away, or maybe just being at home for weeks while the kids are off school. We understand and thanks to Relax and Unwind “Summer” – a double CD collection of laid back classics to ease the mind and soothe the soul – you have the chance to relax and unwind in Fiji with return flights for 2 thanks to Sony Music New Zealand.

Navigating the deadly waters of Stalinist politics, Eisenstein was able to film two parts of his planned trilogy about the troubled 16th-century tsar who united Russia. Visually stunning and powerfully acted, Ivan the Terrible charts the rise to power and descent into terror of this veritable dictator. Though pleased with the first installment, Stalin detected the portrait in the second film—with its summary executions and secret police—and promptly banned it.

Born in Los Angeles and raised in the Pacific Northwest, Patrick O'Hearn began his professional music career at age 15 when he joined the Musicians Union and began playing night clubs in Portland, Oregon. Upon graduating from Sunset High School in 1972, he moved to Seattle. There, he briefly attended Cornish College of the Arts and, as well, studied privately with bassist Gary Peacock.

Unveils the spiritual meaning that fueled the artistic, political, and social revolutions of the 1960s