Bassist Omer Avital is strong and conceptually ambitious on his debut recording. After beginning with an unaccompanied rendition of Bob Marley's "Redemption Song," he leads his group through eight stirring originals, as well as a 5/4 arrangement of "Stella by Starlight." The record is a sax-and-flute fest: most of the tunes burst with the harmonic richness of a little big band, thanks to the presence of Jay Collins, Greg Tardy, Myron Walden, Joel Frahm, and Jimmy Greene, at times all on the same track. Daniel Freedman plays drums on six cuts, Marlon Browden on three. Avital the arranger is more than capable of harnessing all this combined talent; what's more, he never falls back on obvious devices or rote solo rotations (there's usually only one soloist per tune). Some of the tracks run together as segues, giving the record a suite-like structure that increases its emotional impact…
With the stresses and strains of modern life to contend with, many turn to classical music for solace and this varied collection of over seven and a half hours of relaxing favorites is the perfect antidote to the pressures of modern life. The set is themed and starts with two CDs of choral music, many of which are vocal arrangements of familiar favorites. These are followed by CDs devoted respectfully to flute and harp, the classical guitar, piano and orchestral music. Those who enjoyed the 101 Adagios set will find much to enjoy here, and can be reassured that any duplication is kept to an absolute minimum and where it does occur, is in strikingly different arrangements. The artists at the helm of this relaxing journey include the choirs of King s College Cambridge and the New College Oxford, flautist William Bennett and harpist Marisa Robles, Pepe Romero, Vladimir Ashkenazy, Herbert von Karajan and Sir Georg Solti.