Andre Previn

Previn's Four Songs, using poems by Toni Morrison, continues the US song tradition established by Copland. They may not be strikingly original in style (they owe a debt to 12 Poems of Emily Dickinson), but they are very attractive, idiomatically American and movingly evocative of their texts. The set was written for Sylvia McNair, with a plangent cello obbligato for Yo-Yo Ma. McNair is outstanding here, her voice radiant but warm, soaring but secure.

From the start of his intermittent side career as a jazz pianist, esteemed conductor and composer Andre Previn has shown more feeling for the form than most classical artists who cross over. Going beyond a recreational involvement in improvised music, he has deepened his playing since skimming stylistic surfaces on his bestselling My Fair Lady album of nearly 50 years ago. Now 78, he gives us what may be his most satisfying jazz recording in Alone: Ballads for Solo Piano. The solo format allows him to reflect his debt to piano masters including Art Tatum, Erroll Garner, and Bud Powell in ways his work with trios and combos hasn't, while showing off his super-refined lyrical touch with its sophisticated sense of color.

August 2002 witnessed a celebrity marriage not forecast in the crystal ball of any tabloid columnist; that of youthful, 40-ish violinist Anne-Sophie Mutter to 72-year-old pianist/conductor/composer André Previn. While their union may have set gossips' tongues to wag, in purely musical terms it is a winning combination for the most part. The Violin Concerto "Anne-Sophie" is an André Previn work completed in March 2001 and intended for Mutter.

One of the most versatile musicians on the planet, André Previn has amassed considerable credentials as a jazz pianist, despite carving out separate lives first as a Hollywood arranger and composer, and then as a world-class classical conductor, pianist, and composer. Always fluid, melodic, and swinging, with elements of Bud Powell, Oscar Peterson, and Horace Silver mixed with a faultless technique, Previn didn't change much over the decades but could always be counted upon for polished, reliable performances at the drop of a hat…

This sparkling suite for violin and piano came into being when the composer had to adapt his incidental score for a production of Shakespeare's play to the impending absence of the chamber orchestral. The result is a brilliant piece for violin and piano, which the composer quickly released in a four-movement version. There are other recordings of the chamber orchestra suite in five-movements that duplicate only three of the movements of this version. Violinist Gil Shaham and pianist André Previn are ideal partners in this brilliant performance. The four movements allow Shaham to show four sides of his violinist's personality: He skips and plays in carefree fashion in the opening movement, indulges in the grotesquery and parody of the second, gets to play the romantic in the garden scene of the third movement, and dazzles with virtuosity in the final hornpipe. Previn's part is more than mere accompaniment; the piano often has a large part of the mood of the music and his contribution is, to use a word already employed here, ideal.