Andre Previn

This, one of Tippett's earliest acknowledged works, is one of his most popular. The music relates the true story of a young German Jew who, terrified and enraged at the treatment of his mother, kills a Nazi officer and touches off a violent pogrom. Tippett adopts the structure of Bach's Passions, in which arias alternate with choruses and Lutheran hymns (chorales), although in place of the chorales Tippett substitutes magnificently moving Negro spirituals. "A Child of our Time" offers music of rage, poignancy, and deep compassion. As the title itself implies, it is both specific to a certain time and place, and universal as well. No lover of classical music can afford to ignore it.

Violinist Kyung-Wha Chung's highly intense compelling performances especially in the Prokofiev Concerti here have made them favorites in Decca's catalogue for years. Rather than purely dwell on the technical rigor these works demand (as many violinists often do), Chung instead focuses more on Prokofiev's lyricism in an effort to draw out the full and varied range of emotional qualities in the score. Conductor Andre Previn and the London Symphony Orchestra couldn't be more understanding and supportive collaborators and Decca's sound, while spotlighting Chung slightly, is quite good.

Violinist Kyung-Wha Chung's highly intense compelling performances especially in the Prokofiev Concerti here have made them favorites in Decca's catalogue for years. Rather than purely dwell on the technical rigor these works demand (as many violinists often do), Chung instead focuses more on Prokofiev's lyricism in an effort to draw out the full and varied range of emotional qualities in the score. Conductor Andre Previn and the London Symphony Orchestra couldn't be more understanding and supportive collaborators and Decca's sound, while spotlighting Chung slightly, is quite good.

Previn's Four Songs, using poems by Toni Morrison, continues the US song tradition established by Copland. They may not be strikingly original in style (they owe a debt to 12 Poems of Emily Dickinson), but they are very attractive, idiomatically American and movingly evocative of their texts. The set was written for Sylvia McNair, with a plangent cello obbligato for Yo-Yo Ma. McNair is outstanding here, her voice radiant but warm, soaring but secure.

Anne-Sophie Mutter is joined in by André Previn and cellist Daniel Müller-Schott for these performances of the finest of Mozart's Piano Trios, filmed in Mantua's magnificent 18th-century Teatro Bibiena. "The outstanding musicians making music in an affectionate and elegant way" (International Record Review). "Mutter's warm tone and her subtle gradations of vibrato are a constant pleasure" (BBC Music Magazine).

Time has brushed lightly against this remarkable man … Nothing appears to have impaired Rubinstein's unique wit, his sensitity, his urbanity or his cool-headed, warm-hearted, ever-idelaistic honesty … The concertos are imbued with an extraordinary fusion of twilight sentiment and nonchalant joie de vivre. Even more remarkable, however, are the flashes of self-revelation that emerge in Rubinstein's words. (Martin Bernheimer)

If you are only sampling Ravi then you may want to buy the "West Meets East" Album. This makes a good second, yet it is still worthy of five stars. The mixture of eastern instruments and western structure show up in this album. This is as much Andre Previn as it is Ravi. It is soothing yet carries a predictable tune. Many hybrids as these pieces carry the plus from both cultures. And Ravi does an excellent job of bridging. If you are a purist then you may want to pass over this album. Personally, I could keep it on continuous play.

André Previn's 1975 EMI recording of Carmina Burana sounds better than ever in this new transfer. The analog tape hiss has been tamed, yet there's more "air" between the notes and a greater sense of dynamic and timbral definition. Engineering-wise, the mid-70s were golden years for EMI, and the rhythmic verve, dramatic momentum, and unbuttoned joy that Previn and his brilliant forces project still pack a sonic wallop. The soloists especially are outstanding. Thomas Allen navigates Orff's cruelly high tessitura with no effort, and Sheila Armstrong wraps her warm, flexible pipes around "In trutina mentis dubia" to moving effect.

André Previn recorded this symphony twice, the first time around for RCA with the London Symphony Orchestra. That was, and is, a very fine performance, but this one is finer still. His tempos have slowed somewhat since that first version, but the truth is that you'd never notice unless you listened to music with a stopwatch. Vaughan Williams said that of all of his symphonies, this one was his personal favorite, and it's easy to understand why. The music has a very personal tunefulness and vigor, while the orchestration has a subtlety that clearly reflects the composer's period of study with Ravel. If you don't come away from this excellent performance thinking that the slow movement isn't among the most beautiful pieces of music in the universe, then listen again.

André Previn recorded this symphony twice, the first time around for RCA with the London Symphony Orchestra. That was, and is, a very fine performance, but this one is finer still. His tempos have slowed somewhat since that first version, but the truth is that you'd never notice unless you listened to music with a stopwatch. Vaughan Williams said that of all of his symphonies, this one was his personal favorite, and it's easy to understand why. The music has a very personal tunefulness and vigor, while the orchestration has a subtlety that clearly reflects the composer's period of study with Ravel. If you don't come away from this excellent performance thinking that the slow movement isn't among the most beautiful pieces of music in the universe, then listen again.