Anthony Adverse

During the latter half of the '80s a new breed of guitar-orientated bands began to emerge in the UK - armed with an overt pop song craft sensibility, and enamoured with a conflicting post-punk spirit and adoration of the '60s, many of these unlikely acts - all anoraks, Dr Martens and charity shop chic - would go on to become Top 40 regulars and set the tone for music beyond these shores, culminating in 'The Stone Roses', an album that defined a generation. 'Cut Me Deep' - named for a Jasmine Minks track which captured that spirit - presents a snapshot of that time and place, via essential independent labels such as Creation, Sarah Records and 4AD, and their major backed counterparts in Blanco Y Negro et al, alongside distribution via Rough Trade and other like-minded outlets. With an electric guitar in hand (no Stratocasters here please), and resplendent in clothes as immaculately and cheaply curated as their record collections, a new generation of British musicians kickstarted what would become the only credible challenge to the increasingly dominant synthesiser pop scene of the late 1980's.

During the latter half of the '80s a new breed of guitar-orientated bands began to emerge in the UK - armed with an overt pop song craft sensibility, and enamoured with a conflicting post-punk spirit and adoration of the '60s, many of these unlikely acts - all anoraks, Dr Martens and charity shop chic - would go on to become Top 40 regulars and set the tone for music beyond these shores, culminating in 'The Stone Roses', an album that defined a generation. 'Cut Me Deep' - named for a Jasmine Minks track which captured that spirit - presents a snapshot of that time and place, via essential independent labels such as Creation, Sarah Records and 4AD, and their major backed counterparts in Blanco Y Negro et al, alongside distribution via Rough Trade and other like-minded outlets. With an electric guitar in hand (no Stratocasters here please), and resplendent in clothes as immaculately and cheaply curated as their record collections, a new generation of British musicians kickstarted what would become the only credible challenge to the increasingly dominant synthesiser pop scene of the late 1980's.

The science of drug safety and pharmacovigilance has rapidly evolved in the 21st century. The knowledge and principles it contains are of increasing importance in clinical and practice settings. The aim of this book is to deal with the gap in knowledge about pharmacovigilance and drug safety, including the application of pharmacovigilance knowledge to individual patient cases in clinical practice.