A collection of 80s/ first 90s music videos from AOR band Chicago. The promos of their best known hits and ballads are here included, coming both from the Peter Cetera and the Jason Scheff eras. Among them: 'Hard to Say I'm Sorry', 'Love MeTomorrow', '25 or 6 to 4', 'Will you still love me?', 'You're Not Alone' and 'Chasin' the Wind'.
According to Billboard chart statistics, Chicago is second only to the Beach Boys as the most successful American rock band of all time, in terms of both albums and singles.
Marc-Antoine Charpentier (1643 – 24 February 1704) was a French composer of the Baroque era.
Exceptionally prolific and versatile, Charpentier produced compositions of the highest quality in several genres. His mastery in writing sacred vocal music, above all, was recognized and hailed by his contemporaries.
The leader of one of the most popular combos in jazz during the Fifties and early Sixties, the blind George Shearing (b. 1919) was reputed for his mastery at the piano,which led him to perform alongside Oscar Pettiford, Peggy Lee, Wes Montgomery, Mel Tormé or Jim Hall to mention a few. Besides gathering different clips and soundies featuring the great George Shearing and his combo, this video includes additional numbers showcasing what we could term Fifties Swingers: Mel Tormé, the Slam Stewart Trio, Slim Gaillard, the Bobcats, and others. In all, a splendid compilation.
A harmonically advanced cool-toned and subtle guitarist, Jim Hall was an inspiration to many guitarists, including some (such as Bill Frisell) who sound nothing like him. Hall attended the Cleveland Institute of Music and studied classical guitar in Los Angeles with Vicente Gómez. He was an original member of the Chico Hamilton Quintet (1955-1956), and during 1956-1959 was with the Jimmy Giuffre Three. After touring with Ella Fitzgerald (1960-1961) and sometimes forming duos with Lee Konitz, Hall was with Sonny Rollins' dynamic quartet in 1961-1962, recording The Bridge. He co-led a quartet with Art Farmer (1962-1964), recorded on an occasional basis with Paul Desmond during 1959-1965 (all of their quartet performances are collected on a Mosaic box set), and then became a New York studio musician…
Sam Hopkins was a Texas country bluesman of the highest caliber whose career began in the 1920s and stretched all the way into the 1980s. Along the way, Hopkins watched the genre change remarkably, but he never appreciably altered his mournful Lone Star sound, which translated onto both acoustic and electric guitar. Hopkins' nimble dexterity made intricate boogie riffs seem easy, and his fascinating penchant for improvising lyrics to fit whatever situation might arise made him a beloved blues troubadour…
After the success of the first Classics delivers the musical range of the singer-songwriters enough good material to ease a second part to compile. This time with gems of artists we missed out on some one like Sting, Cat Stevens and Lyle Lovett, and also the old stalwarts such as Leonard Cohen, Joni Mitchell and Paul Simon. The song was inspired by Mitchell's room in the Chelsea neighborhood of New York City. The inspiration for the first verse comes partly from the distinct decor of her apartment. While in Philadelphia, Mitchell and friends had made a mobile from shards of colored glass they had found in the street and wire coat hangers. VanWarmer was inspired to write Just When I Needed You Most by a devastating breakup with a girlfriend: he wrote the song six months after that breakup co-writing it with Tony Wilson of the group Hot Chocolate two years before it became a hit.
Trans Am is a band that has never compromised. Originally from North Bethesda, Maryland, Trans Am is considered fathers of the instrumental post-rock sound of the 1990s. Since then the band - Phil Manley, Sebastian Thomson and Nathan Means - has added vocals and spanned genres from metal to house to progressive rock. They exploited Casio keyboards for cacophonous lo-fi sounds. They played fully electronic sets when most of their contemporaries were sticking exclusively to guitars. They pioneered early millennium fad Electroclash. Today, they continue to set their own course. On California Hotel, Trans Am borrowed ideas from My Bloody Valentine, John Carpenter, DAF, Led Zeppelin, Air, Sade and David Gilmore, among others. The result is an incredibly rich range of sounds that retain a pulsating energy.
Lætitia Tamko's music exists in the spaces between memory and reality; in the spots where stories are misremembered and tangled up in our feelings. The Cameroon-born, New York-raised musician records as Vagabon, and her songs capture that ambiguity with somber clarity as Tamko's assured voice glows deeply and brightly like a new bulb.