Apo Remaster

Joan Baez is an American folk singer, songwriter, musician, and activist, whose contemporary folk music often includes songs of protest or social justice. This album has been recorded live in the bullring of Bilbao, Spain. It featured twelve songs, six of which were performed in English, five in Spanish and one, "Txoria Txori", in Basque. Most of the songs had been performed and recorded by Baez previously, with the exception of Leonard Cohen's "Famous Blue Raincoat". "Gracias a la Vida" is a duet with singer Mercedes Sosa.

Page One marks the beginning of Joe Henderson’s illustrious career. His debut finds him leading fellow virtuosos including McCoy Tyner, Butch Warren, Pete La Roca and Kenny Dorham. The quintet performs a stunning set, which features hits including “Blue Bossa”, “La Mesha” and “Recordame”. This Hard Bop recording is a vital addition to any music lover’s collection.

Joan Baez is an American folk singer, songwriter, musician, and activist, whose contemporary folk music often includes songs of protest or social justice. This album has been recorded live in the bullring of Bilbao, Spain. It featured twelve songs, six of which were performed in English, five in Spanish and one, "Txoria Txori", in Basque. Most of the songs had been performed and recorded by Baez previously, with the exception of Leonard Cohen's "Famous Blue Raincoat". "Gracias a la Vida" is a duet with singer Mercedes Sosa.

RCA Living Stereo Series from Analogue Productions. Another of the rare performances of violinist Jascha Heifetz and conductor Fritz Reiner together with the Chicago Symphony Orchestra. This stunning recording of Brahms' Violin Concerto is nothing short of breathtaking. The original 30 ips 2-track analog tape was used to master these LP and SACD reissues. Remastered by Ryan Smith at Sterling Sound, these new versions are clearer than the originals and warmer and richer than past reissues.

Tenor saxophonist Hank Mobley was overshadowed by more influential tenors such as Sonny Rollins and John Coltrane during his career, but although he wasn't deliberately flashy or particularly innovative, his concisely measured, round sax tone made him the perfect ensemble player and he was a fine writer, as well, a talent who has often been undervalued and overlooked…

Sam "Lightnin’" Hopkins, a true poet who invented most of his lyrics on the spot and never seemed to run out of new ideas, was a blues giant of post-war blues whose style was rooted in pre-war Texas traditions. While he cranked up his amp to fierce proportions when performing for his friends at Houston juke joints, producers who recorded him for the so-called folk-blues market usually insisted that he use an acoustic guitar for more “authentic” results. Either way, Lightnin’ seldom made a bad record, and this June 4, 1963, session on which he played acoustic was among his finest, thanks much to the sensitive support of bassist Leonard Gaskin and drummer Herbie Lovelle, who did a remarkable job of following his irregular bar patterns and abrupt song endings.

Page One marks the beginning of Joe Henderson’s illustrious career. His debut finds him leading fellow virtuosos including McCoy Tyner, Butch Warren, Pete La Roca and Kenny Dorham. The quintet performs a stunning set, which features hits including “Blue Bossa”, “La Mesha” and “Recordame”. This Hard Bop recording is a vital addition to any music lover’s collection.

Page One marks the beginning of Joe Henderson’s illustrious career. His debut finds him leading fellow virtuosos including McCoy Tyner, Butch Warren, Pete La Roca and Kenny Dorham. The quintet performs a stunning set, which features hits including “Blue Bossa”, “La Mesha” and “Recordame”. This Hard Bop recording is a vital addition to any music lover’s collection.

This album came out of a series of three recording sessions by Sonny Stitt toward the end of 1959, and sees the jazz saxophonist delve into the world of blues.The album blends powerful original songs written by Stitt with a couple of standards that get new life breathed into them. Stitt plays alto sax exclusively on this release, which led to unfair comparisons at the time to Charlie Parker. This album has been out-of-print and almost impossible to find for many years, until now.

This album came out of a series of three recording sessions by Sonny Stitt toward the end of 1959, and sees the jazz saxophonist delve into the world of blues.The album blends powerful original songs written by Stitt with a couple of standards that get new life breathed into them. Stitt plays alto sax exclusively on this release, which led to unfair comparisons at the time to Charlie Parker. This album has been out-of-print and almost impossible to find for many years, until now.