Apo Remaster

Blood, Sweat & Tears 4 is the fourth album by the band Blood, Sweat & Tears, released in 1971. The band invited former member Al Kooper to contribute the song "John the Baptist (Holy John)." Trombonist Dave Bargeron replaced Jerry Hyman. David Clayton-Thomas left as lead vocalist to pursue a solo career after the release of BS&T 4, as did founding members Dick Halligan and Fred Lipsius. The album peaked at number 10 on the Billboard Pop albums chart.

Blood, Sweat & Tears 3 is the third album by the band Blood, Sweat & Tears, released in 1970. After the huge success of their previous album, Blood, Sweat & Tears 3 was highly anticipated and it rose quickly to the top of the US album chart. It also yielded two hit singles: a cover of Carole King's "Hi-De-Ho", and "Lucretia MacEvil". However, the album relied heavily on cover material and it received lukewarm reviews.

Blood, Sweat & Tears is the second album by the band Blood, Sweat & Tears, released in 1968. It was a huge commercial success, rising to the top of the U.S. charts for seven weeks and yielding three successive Top 5 singles. It received a Grammy Award for Album of the Year in 1970 and has been certified quadruple platinum by the RIAA with sales of more than four million units in the U.S. The album was selected for the 2006 book "1001 Albums You Must Hear Before You Die".

Child Is Father to the Man is the debut album by Blood, Sweat & Tears, released in February 1968. It reached number 47 on Billboard's Pop Albums chart in the United States. The title is a quotation from a similarly titled poem by Gerard Manley Hopkins, slightly misquoting a poem by William Wordsworth called "My Heart Leaps Up". In 2003, the album was ranked number 264 on Rolling Stone magazine's list of the 500 greatest albums of all time.

On View at the Five Spot Cafe is a live album by American jazz guitarist Kenny Burrell with drummer Art Blakey. It was recorded live at the Five Spot Cafe in New York City on August 25, 1959, and released on the Blue Note label. English jazz guitarist Andy Summers referred to Burrell's solo on "Lover Man" as "one of the best jazz guitar solos ever recorded".

An unblinking look at an entertainment-obsessed society, Amused to Death addresses issues that have only grown in complexity and urgency over the past two decades. With Amused to Death, Roger Waters sounded the alarm about a society increasingly — and unthinkingly — in thrall to its television screens. Twenty-three years later, Amused to Death speaks to our present moment in ways that could scarcely have been anticipated two decades ago. In 2015, television is just one option in an endless array of distractions available to us anytime, anywhere, courtesy of our laptops, tablets and smartphones. With eyes glued to our screens, the dilemmas and injustices of the real world can easily recede from view. The 2015 SACD edition of Amused to Death features a new 5.1 surround remix of the album completed by longtime Roger Waters / Pink Floyd collaborator and co-producer, James Guthrie. The art has been updated for 2015 by Sean Evans, the creative director of Waters’ 2010-2013 “The Wall Live” tour and movie.

Phoebe Snow died at the age of 60, but her art will live forever. Her debut album witnesses a masterful nine-track lineup. Most of the songs were written by a 23-year old Phoebe Snow, including her best-known smash hit "Poetry Man. Snow was renowned for her elastic contralto and jazz scat vocals; this album became as legendary as her career, which spanned decades.