Apo Remaster

A Love Supreme was released by Impulse! Records in January 1965 and became a top-selling album for Coltrane, as well as one of jazz's most critically acclaimed recordings. Since then, it has often been viewed as one of the greatest albums of all time, a deeply spiritual work, and Coltrane's masterpiece.

Saxophonist Ben Webster is joined by legendary jazz pianist Oscar Peterson. Webster, known for his association with Duke Ellington's Jazz Orchestra playing lead tenor, frequently played with Peterson in the 1950s and are joined here by some of the best jazz musicians of the time. Ben Webster Meets Oscar Peterson was originally released in 1959, and this studio album is a compilation of seven great jazz tracks, including "How Deep is the Ocean", "In the Wee Small Hours of the Morning", and "Bye, Bye, Blackbird".

After having left the ensemble of Charles Mingus and upon working with John Coltrane, Eric Dolphy formed a short-lived but potent quintet with trumpeter Booker Little, who would pass away three months after this recording. Despite all of the obstacles and subsequent tragedy, this quintet became legendary over the years – justifiably so – and developed into a role model for all progressive jazz combos to come. The combined power of Dolphy and Little – exploring overt but in retrospect not excessive dissonance and atonality – made them a target for critics but admired among the burgeoning progressive post-bop scene.

Over the course of his nearly five decade career, trumpeter Freddie Hubbard established himself as one of the most versatile and inventive jazz musicians of the twentieth century. The Grammy-winning virtuoso appeared on some of the most important albums in the genre, including seminal works by Ornette Coleman, Herbie Hancock, Art Blakey, John Coltrane, and countless others. The Artistry Of Freddie Hubbard, his fifth album for Impulse!, is a spellbinding piece of jazz history. Hubbard’s molten lines are augmented by the trombone work of the legendary Curtis Fuller and tenor saxophonist John Gilmore of the Sun Ra Archestra. One of the all-time great jazz records.

Coleman Hawkins recorded three sessions for Impulse Records in the early to mid '60s. Of the three, Today And Now is the most compelling. The unusual choice of repertoire is what sets this album apart. Versions of the traditional song "Go Li's Liza" and the fairly obscure Quincy Jones ballad "Quintessence" are creatively rendered. Indeed, Hawk seems inspired throughout; he plays with an abandon that is altogether effortless.

This 1959 Verve record is a collaboration between Ellington and saxophonist Johnny Hodges. Hodges takes the lead on most of the tracks, backed by Ellington and Billy Strayhorn on piano and well-known jazz musicians like Ben Webster, Roy Eldridge, Harry "Sweets" Edison and Jo Jones.

Booker Ervin's recordings with Charles Mingus and Randy Weston brought him good reviews and a bit of notoriety, but it was his series of Song Books that broadcast the stentorian announcement that a jazz orator of gigantic stature had arrived. The Freedom Book, recorded at the end of 1963, is one of Ervin's masterpieces. His tenor saxophone sound is haunted by the loneliness and spaciousness of the Texas plains where he was raised. That Southwest moan is an integral part of his playing, but his style goes beyond the classic Texas tenor tradition, incorporating the intricacies of bebop and suggestions of free jazz that initiated one of the periods of self-renewal, keeping jazz fresh and interesting.

Rollins Plays for Bird is an album by jazz saxophonist Sonny Rollins, recorded in 1956 for the Prestige label, and released in the end of July 1957. It featuring performances by Rollins with Kenny Dorham, Wade Legge, George Morrow and Max Roach on material associated with Charlie Parker.

Anatole Fistoulari was always a specialist in the interpretation of ballet music. He was also, a noted conductor of Tchaikovsky and the Russian School, as well as romantic and impressionistic French music. This album, originally released in 1960, features selections from William Tell, Khovantchina, Aida, and Samson and Delilah, performed by the Paris Conservatoire Orchestra conducted by Fistoulari. Recorded by renowned Decca audio master Kenneth Wilkinson, it shares most of that disc's electrifying sound. Very lively midrange with superbly coherent staging, top rank clarity and deep, powerful and well-defined bass.