…Another justification, of course, is the obvious enthusiasm of the young players as they make their way through a curtain-raising Mozart Sinfonia Concertante, with its collection of diverse but harmonious instrumental elements, and through Beethoven's Fifth Symphony, with its durable resonances of hope amid warfare. This concert was recorded live in Ramallah in August 2005, under heavy guard. The logistical preparations of the concert, Barenboim says, could fill a book. But maybe that's a book that should be written, for the bottom line is that the concert took place and ended with an explosion of applause…
In 13th century Spain, seven hundred years before anyone thought of using the term 'world music', a remarkable king named Alfonso the Wise was creating it. Alfonso X, King of Castile and Leon, filled his courts with the finest poets, musicians, artists and scientists he could find, from all three of the Iberian peninsula's great religions. Christian, Jews and Muslims worked side by side, creating a body of work that included groundbreaking scientific and astronomic treatises, translations of epic poems and scriptures from as far away as India—and some of the earliest and most sophisticated blends of European and Middle Eastern/Arabic music. The greatest of these was the enormous collection of songs in praise of the Virgin Mary now called Cantigas de Santa Maria.
The words "original version" on the cover of this release are doubtless intended to indicate to the casual browser that this is not a recording of Carl Orff's choral spectacle called Carmina Burana, but of the pieces that inspired that work, contained in a medieval manuscript rediscovered in the nineteenth century in a Bavarian village called Benediktbeuern (hence "Carmina Burana," or songs or Beuern).
This remarkable release, comprising two CDs and a book of 270 pages with information in Spanish, English, German, Italian, Catalan, Arabic, and Hebrew, is a veritable history lesson in music, poetry, and literature about Spain, as well as Christopher Columbus and his voyages and times. The title of the set, Lost Paradises, refers to the cessation of the period during which all three traditions - Jewish, Muslim and Christian - worked together to create greatness. The music, pre-baroque and sounding very exotic indeed, is exquisitely performed, sometimes by itself and sometimes in conjunction with the reading of a text. The Moorish and Sephardic music is particularly colorful, but the more familiar, "early" music is just as ravishing. With repertoire both sacred and profane, featuring dances and dirges, Savall, in his notes, is attempting to make us pay heed to the past so that we may form our futures: This isn't as pedantic as it sounds, but it is certainly more than an afternoon of great music listening. What a stunning gift this would make - either to yourself or others.