“This cantiga tells how King Alfonso of Castile suffered in Vitoria and had a pain so great that they thought he would die from it. They put upon him a book of the Cantigas de Santa Maria to cure him. [The King recounts :] … I didn't scream nor did I feel any pain at all, but felt well instantly…”. -Cantiga 209, Muito faz grand'erro. Thus King Alfonso X, el Sabio, tells in the first person how he was miraculously cured of a mysterious illness (now thought to have been caused by a tumour of the maxillary antrum) when the Book of Cantigas de Santa Maria made by his scribes was placed upon his frail, ailing body. In this, as in all the cantigas in the Book, Alfonso wished to make it clear to all his subjects, at every level of society, in an accessible language (the poetic Galician-Portuguese vernacular) and a persuasive medium, that divine grace was an everyday reality.
On ars moriendi Paul Giger looks at life’s flowing patterns, at death and renewal, as he brings together compositions by Bach and new music drawing inspiration from the work of painter Giovanni Segantini and Swiss folk traditions. The album was recorded in Maloja, where Segantini spent the last years of his life.
Batagraf is a percussion think tank, a constellation of players researching the outer parameters of rhythmic music. Inspired by techniques and traditions from West African Wolof music, the group explores new polyphonic textures. The relation between language and rhythm is constantly being investigated in Batagraf, the collective centered around the collaboration between Helge Norbakken and Jon Balke. Norbakken has developed his personal approach to percussion, inspired by African drum music traditions, but also developed in new directions through collaborations with numerous artists.