Art Blakey recorded prolifically during his long career, and one of his best editions of the Jazz Messengers featured Wayne Shorter, Bobby Timmons, Lee Morgan, and Jymie Merritt, the group present on this live two-CD set, which was recorded in 1961 at the Olympia in Paris. Since this concert originated from a taped broadcast, the sound is inferior to commercial live recordings made by Blakey for various U.S. labels, though it is a thoroughly enjoyable evening of music.
Most of the titles on this album are derived from Thelonious Monk's vast catalog of bop standards. Both co-leaders are at the peak of their respective prowess with insightful interpretations of nearly half a dozen inspired performances from this incarnation of the Blakey-led Jazz Messengers. This combo features Art Blakey (drums), Johnny Griffin (tenor sax), Bill Hardman (trumpet), and Spanky Debrest (bass).
Reissue from Art Blakey & The Jazz Messengers features the high-fidelity SHM-CD format (compatible with standard CD player) and 24bit remastering. Includes an alternate take of "Blues March" for the first time in the world. Moanin' includes some of the greatest music Blakey produced in the studio with arguably his very best band. There are three tracks that are immortal and will always stand the test of time. The title selection is a pure tuneful melody stewed in a bluesy shuffle penned by pianist Bobby Timmons, while tenor saxophonist Benny Golson's classy, slowed "Along Came Betty" and the static, militaristic "Blues March" will always have a home in the repertoire of every student or professional jazz band.
Reissue with the latest remastering. Features original cover artwork. 35 years after first officially forming The Jazz Messengers, drummer Art Blakey entered his final year still at it. Due to the many promising young players around at the time, Blakey expanded The Messengers from its usual quintet or sextet into a septet for this fine recording session. In addition to trumpeter Brian Lynch, pianist Geoff Keezer and bassist Essiet Okon Essiet, this version of The Messengers had two tenors (Javon Jackson and Dale Barlow) and a pair of alternating trombonists (Frank Lacy and Steve Davis).
Art Blakey & the Jazz Messengers hit their artistic peak with the powerful A Night in Tunisia. This incarnation of the group included Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt along with their leader, Blakey. As the Messengers entered their most fruitful period for Blue Note, Blakey drove his men relentlessly with powerful grooves, heavy swinging, and shouts of encouragement. This session documents the full power of his assertive leadership and the masterful playing of his sidemen, each rising to legendary status under his tutelage. Long known for their creative arrangements within the context of small-group jazz, the Messengers push the definition of hard bop and blues to the limit here…
At the Jazz Corner of the World is a two-volume live album by American jazz drummer Art Blakey and the Jazz Messengers, featuring performances recorded in 1959 at Birdland and released on the Blue Note label. The album was originally issued as 12-inch LPs in two volumes and later re-released as a two-CD set.
One of a number of Art Blakey albums titled after "Night In Tunisia" – and most likely the best! The tune is a perfect fit for the Blakey Jazz Messengers format – long, rhythmic, really stretching out, yet allowing plenty of space for the horn players to solo. Players include Bobby Timmons on piano, Lee Morgan on trumpet, and Wayne Shorter on tenor – a killer lineup that's in really classic form here – driven on nicely by Blakey's drums and bass work by Jymie Merritt. Titles include "Night In Tunisia", with Blakey thundering through impeccably – plus the tracks "Yama", "Kozo's Waltz", and a version of Timmons' great "So Tired".