The second (and arguably most fully realized) album from Texas psychedelic band Fever Tree, Another Time, Another Place (1968) owes less to the sound of roots-based contemporaries like the 13th Floor Elevators, Moving Sidewalks, or the Sir Douglas Quintet and more to heavier West Coast acid rock. One of the most underrated '60s psych bands, Fever Tree comes off like a coincidental midnight meeting of Jim Morrison, Steppenwolf, Jefferson Airplane, Iron Butterfly, and Jimi Hendrix at the tail end of a drug and whiskey binge. Luckily, however, the group transcends its influences by sheer force of attitude. The material here (mostly written by producers Scott Holtzman and Vivian Holtzman) is of generally pretty high quality, wisely avoiding too much of the drippy "ice cream cones and cosmic smiles" type stuff that bogged down the work of pretenders like Ultimate Spinach and Tricycle…
Die ultimative Blues Kollektion vom Mississippi bis in die Metropolen. In dieser Box befinden sich die Aufnahmen von 100 legendaren Bines Grossen. Die Stile, die Ausstrahlung, die Geschichten und naturlich die geniale Ausubung ihrer Kunst machten sie einzigartig und beeinflussten Generationen nachfolgender Kunstler. Die altesten Mitglieder wurden Ende des 19ten Jahrhunderts geboren, die jungsten unter ihnen spielen noch heute live in ausverkauften Hausern. Die Musik in dieser Box wird Sie befliueln oder erden, zum Tanzen oder Weinen bewegen. Egal oh Zweisamkeit oder in einsamen Stunden: eines ist sicher: Der Blues lebt weiter!
It's difficult to call a guitarist who routinely shows up in the upper reaches of "100 Greatest Guitarists Ever" lists underappreciated, and yet the first impression the towering seven-disc box set Skydog: The Duane Allman Retrospective makes is that Duane Allman does not receive his proper due…
A showcase of the soulful side of the brilliant American Sound Studio session group, 1967-72, directed by Chips Moman and featuring top guitarist Reggie Young.
This 3 CD set includes some of the greatest, innovative and influential musicians of the 20th century, they are all here, Robert Johnson, Elmore James, B.B. King, Muddy Waters, John Lee Hooker et al - performing some of their best known songs.
Beat music, British beat, or Merseybeat (after bands from Liverpool and nearby areas beside the River Mersey) is a pop and rock music genre that developed in the United Kingdom in the early 1960s. Beat music is a fusion of rock and roll (mainly Chuck Berry guitar style and the midtempo beat of artists like Buddy Holly), doo-wop, skiffle and R&B. The genre provided many of the bands responsible for the British Invasion of the American pop charts starting in 1964, and provided the model for many important developments in pop and rock music, including the format of the rock group around lead, rhythm and bass guitars with drums. The Beat Of The Pops - excellent selection of beat tracks.
Beat-Club was a German music program that ran from September 1965 to December 1972. It was broadcast from Bremen, Germany on Erstes Deutsches Fernsehen, the national public TV channel of the ARD, and produced by one of its members, Radio Bremen, later co-produced by WDR following the 38th episode. It is notable for being the first German show to be based around popular music, and featured artists such as The Equals, Grateful Dead, Zager and Evans, Cream, Frank Zappa, The Rolling Stones, Gene Pitney, Ten Years After, Rory Gallagher, Led Zeppelin, Jimi Hendrix, Ike & Tina Turner, The Who, Black Sabbath, Harry Nilsson, David Bowie, The Bee Gees, The Beach Boys, Chicago, The Doors, Kraftwerk and Robin Gibb in its seven-year run. In 1972, it was replaced by Musikladen.