August Wilson

Brian Wilson Reimagines Gershwin consists of covers of ten George and Ira Gershwin songs, bookended by passages from Rhapsody in Blue, along with two new songs completed from unfinished Gershwin fragments by Wilson and band member Scott Bennett.

When Ace asked me to tell you about their new BRIAN WILSON: PET PROJECTS CD, I thought I'd go in search of some background colour in order to gain a livelier understanding of the whole surfing genre. A trip to California was out of the question. Ace's budget wouldn't stretch that far. Instead, I was given Truro on the Cornish Riviera as a more feasible option. You'll love it there," I was assured, "it'll be virtual reality - the perfect place for re-living the 'California Myth' that Brian wrote and sang about all those years ago." Humm. Ace's 'mother hen' and doughty production manager, Carol Fawcett, made me a nice packed lunch (neatly crammed into a Tupperware container) and a flask of coffee and off I went. It only took a couple of hours by train. En route, I discovered that Carol had even slipped a couple of Wagon Wheels into the top pocket of my anorak. Yummy!

Troy Maxson makes his living as a sanitation worker in 1950s Pittsburgh. Maxson once dreamed of becoming a professional baseball player, but was deemed too old when the major leagues began admitting black athletes. Bitter over his missed opportunity, Troy creates further tension in his family when he squashes his son's chance to meet a college football recruiter.

GRAMMY® award-winning artist, Lainey Wilson delivers “Whirlwind,” a daringly honest look into the singer’s life and journey around the world. The highly anticipated August 23rd release features a 14-track album produced by Jay Joyce.

Surely no one was expecting a "quiet storm" album from Wilson Pickett in 1968, and that sure isn't what they got with I'm in Love, but the Wicked Pickett sounds a lot more convincing on this album's romantic numbers than anyone would have had a right to expect from one of the baddest cats of Southern soul. Of course, there aren't all that many romantic ballads here, but Pickett's rough-and-ready soul shouting manages to sound just as convincing on "Bring It On Home to Me" and "That Kind of Love" as he does on the pained "Jealous Love" and a properly intense rip through "Stagger Lee."

A fabulous album, done when Pickett was in the midst of his best period at Atlantic. It had everything - great songs, wonderful production and arrangements, and a hungry, galvanizing Wilson Pickett hollering, screaming, shouting, and soaring on anything he covered, from ballads to uptempo dance and midtempo wailers. It also has been deleted at present.