The legendary Brazilian pianist Nelson Freire specializes in the 19th century and has turned to recording Bach in his eighth decade, apparently for the first time. All you can say is that it was worth the wait. His Bach is typically restrained, not unaware of the long tradition of Bach piano performances, but decidedly unlike anyone else's approach. In general, Freire is pianistic without applying a lot of pedal.
Ólafsson’s second Deutsche Grammophon album, the pithily entitled Bach, contains a mixture of original works and transcriptions, which the pianist has woven together in intriguing style.