Debut album from Nashville-based Progressive Rock band delivers powerful but approachable Art Rock. Musically sublime from epic to elegant, lyrically poetic. This is that "why don't they make music like this anymore" album. A progressive rock band EVERSHIP have been founded by a composer, multi-instrumentalist and producer / engineer Shane ATKINSON. Shane played in Nashville bands and as a backup musician for artists in the late 80's and 90's. As a composer he wrote on Music Row and, always having a studio running somewhere in the Nashville area, was a composer with musical work spanning from commercials and film to orchestral and theater. He made two records with the 90's alternative rock band CURIOUS FOOLS, but after three labels, including false promises from a large internationally-known label that eventually dropped the band, and with the birth of his first child, he decided to leave the music business for the budding software industry.
[A legend in his lifetime for his interpretations of Beethoven, Herbert von Karajan recorded a large swathe of the composer’s oeuvre. On this specially priced 13-CD box set, Karajan's complete Beethoven repertoire recorded by Deutsche Grammophon is presented for the first time – comprising his final, digital recordings of the Symphonies, the Piano Concertos (with Christoph Eschenbach and Alexis Weissenberg), Violin Concerto (Anne-Sophie Mutter) and Triple Concerto (with Mutter, Yo Yo Ma and Mark Zeltser), the Missa Solemnis, Overtures, Egmont Music, Wellington’s Victory, and a host of rarities, including the Grosse Fuge (arranged for orchestra), restored to the catalog. /quote]
Nina Simone was one of the most gifted vocalists of her generation, and also one of the most eclectic. Simone was a singer, pianist, and songwriter who bent genres to her will rather than allowing herself to be confined by their boundaries; her work swung back and forth between jazz, blues, soul, classical, R&B, pop, gospel, and world music, with passion, emotional honesty, and a strong grasp of technique as the constants of her musical career.
Born blind, Vierne partially regained sight at age six. Obvious talent was rewarded with piano and solfège studies, to which were added harmony, violin, and a general course when he entered the Institution National des Jeunes Aveugles in Paris in 1880. There he was befriended by César Franck who, from 1886, gave him private tuition in harmony while including Vierne in his organ class at the Paris Conservatoire. The lessons of the master were not lost on him – Franck possessed perhaps the richest harmonic palette in Western music and Vierne effortlessly absorbed many of its features. Vierne entered the Conservatoire as a full-time student in 1890. Franck died in November, succeeded by Charles-Marie Widor as professor of organ.
Daniel Hope’s declared aim is to trace the development of the Baroque violin, mainly through four composers – three Italian, one German. This throws up some fascinating, sometimes extraordinary, pieces. Among the few surviving works of the Dresden composer Westhoff are a set of amazingly coloured sonatas with movements imitating bells, a lute, and a battle. Among a kaleidoscope of brief pieces are two complete concertos, one by Telemann, the other Geminiani’s arrangement of a Corelli sonata, stylishly accompanied by Hope’s five string colleagues and continuo.
Nina Simone was one of the most gifted vocalists of her generation, and also one of the most eclectic. Simone was a singer, pianist, and songwriter who bent genres to her will rather than allowing herself to be confined by their boundaries; her work swung back and forth between jazz, blues, soul, classical, R&B, pop, gospel, and world music, with passion, emotional honesty, and a strong grasp of technique as the constants of her musical career.