Bach Partitas Sonatas

The sonatas and partitas for solo violin (BWV 1001–1006) are a set of six works composed by Johann Sebastian Bach. They are sometimes referred to in English as the sonatas and partias for solo violin in accordance with Bach's headings in the autograph manuscript: "Partia" (plural "Partien") was commonly used in German-speaking regions during Bach's time, whereas the Italian "partita" was introduced to this set in the 1879 Bach Gesellschaft edition, having become standard by that time. The set consists of three sonatas da chiesa in four movements and three partitas (or partias) in dance-form movements. The 2nd Partita is widely known for its Chaconne, considered one of the most masterly and expressive works ever written for solo violin.

Jean-Jacques Kantorow is a modern exemplar of the great French-Belgian violin school, with a dash of influence coming from his Russian ancestry. He has also become noted across Europe in his second career as a conductor. Kantorow brought something unique and singularly powerful in his performance. This recording is something special. It isn't just a very good recording of an excellent violinist playing difficult music, it's an inspiring rendition that stands above all other recordings that I've heard. At least from this amateur violinists' ear five stars are insufficient.

Tenenbaum is a very ardent musician whose Bach is irresistibly expressive, overwhelmingly passionate, and unreservedly loving. Tenenbaum has known the Sonatas & Partitas since she was a child and her interpretations are the results of her long and profound intimacy with the music. As in a great marriage, Tenenbaum knows everything there is to know about the Sonatas & Partitas and she knows the music has depths that reveal themselves only when the player surrenders to them.

The sonatas and partitas for solo violin (BWV 1001–1006) are a set of six works composed by Johann Sebastian Bach. They are sometimes referred to in English as the sonatas and partias for solo violin in accordance with Bach's headings in the autograph manuscript: "Partia" (plural "Partien") was commonly used in German-speaking regions during Bach's time, whereas the Italian "partita" was introduced to this set in the 1879 Bach Gesellschaft edition, having become standard by that time. The set consists of three sonatas da chiesa in four movements and three partitas (or partias) in dance-form movements. The 2nd Partita is widely known for its Chaconne, considered one of the most masterly and expressive works ever written for solo violin.

Johann Sebastian Bach played the violin “cleanly and with a penetrating tone…” At the time his son CPE Bach wrote this phrase to a musicologist and Bach’s early biographer Johann Nikolaus Forkel in 1774, the Sonatas and Partitas for Solo Violin were known to a relatively small but steadily growing circle of enthusiasts. Although the demand problem was eventually solved by the appearance of the first printed editions around the turn of the century, it took another five decades before Bach’s sonatas and partitas came to the attention of a broader public. Arrangements of the violin solos for other instruments offer new expressive opportunities. For this album, Florian Klaus Rumpf has transcribed and recorded the first three of the six violin solos for the mandolin. Florian Klaus Rumpf decided to begin studying mandolin at the age of seven. In 2006 Florian entered the University of Music and Dance in Wuppertal, where he studied the modern mandolin and a wide range of historical instruments, including the six-course Baroque mandolin and the 8-course mandolone. He is in high demand as a soloist, tutor, and conductor of mandolin orchestras.

J.S. Bach · 6 Sonatas & Partitas for Violon Solo · Viktoria Mullova
APE+CUE 666 MB | Scans | EAC | Log | 2009

Stylistic security and superior technique - don't miss Mullova's outstanding Bach. Gramophone

Finnish guitarist Timo Korhonen has already released his own arrangements of Bach’s solo violin sonatas. Now he turns his attention to the partitas and gives fascinating interpretations of these bottomless works. Any guitarist transcribing Bach has to contend with the spirit of Segovia but Korhonen manages convincingly to carve his own path in this music, even if he doesn’t quite shake off the shade of the Spanish master.