orway's COME TASTE THE BAND (CTTB for sake of ease) is of course named after that legendary DEEP PURPLE album of the same name. Makes sense, seeing as they were originally a DP tribute band. From the beginning of "Not That Kind of Man" it is obvious where their main influence lays. The transitions, solos, song cord progression are so Purple MIII it fooled my nephew. Not to say it's bad, quite the opposite; it's actually well written and performed, just not ground breaking or terribly original…
Run with the Pack, Bad Company's third and best album, reiterates the raw, rowdy style of their debut, Bad Co., solidifies the loose ends that marred Straight Shooter and adds new directions of its own. Maybe most importantly, the record is refreshing proof that rockers don't have to produce literature in their lyrics or cultivate personae to create good art. Bad Company's is a purely musical triumph…
When Blixa Bargeld left Nick Cave's Bad Seeds, who would have predicted his departure would result in one of the finest offerings in the band's catalog? Abbatoir Blues/The Lyre of Orpheus is a double CD or, rather, two completely different albums packaged in one very handsome box with a stylish lyric booklet and subtly colored pastel sleeves. They were recorded in a total of 16 days by producer Nick Launay (Kate Bush, Midnight Oil, Girls Against Boys, Silverchair, INXS, Virgin Prunes, et al.). Abbatoir Blues, the first disc in the set (packaged in pink, of course), is a rock & roll record. Yeah, the same guy who released the Boatman's Call, No More Shall We Part, and Nocturama albums has turned in a pathos-drenched, volume-cranked rocker, full of crunch, punishment – and taste.