Band a Musical History

Yes' second (and least successful) album was a transitional effort; the group trying for a more produced and sophisticated sound through the use of an orchestra. Even so, the results weren't conventional, because the group didn't tone down or turn down its sound. Much of Time and a Word relies on bold, highly animated performances by Bill Bruford, Chris Squire, and Tony Kaye. Additionally, by this time the group was developing a much tauter ensemble than was evident on their first LP, so there's no lack of visceral excitement. "No Opportunity Necessary, No Experience Needed" was a bold opening, a highly amplified, frenzied adaptation of the Richie Havens song, melded with Jerome Moross' title music from the movie The Big Country…

Who'd have thought it? Magnification is the strongest, freshest set of new Yes material in a long time. Having thoroughly exhausted the world's supply of classically inclined rock keyboard players, the four remaining members of Yes have dispensed with that perennially bothersome ivory-tickling slot altogether. And so Messrs Jon Anderson, Alan White, Chris Squire, and Steve Howe have enlisted the temporary services of soundtrack composer Larry Groupe, whose cinematic orchestrations lend a thoroughly modern aura to the band's sonic palette…

It is unusual when two iconic musical influences have a deep-rooted history. Bob Dylan revolutionized the folk industry in the early sixties. Around the same time, a group consisting of four Canadians and one U.S. Southerner were cutting their rock and roll teeth as the back-up band to Ronnie Hawkins. An epiphany for rock and roll occurred at the 1965 Newport Folk Festival when Dylan went electric and outraged the folk community. A subsequent tour supported by The Hawks (later renamed The Band) became a watershed moment for modern music.