Bbc Music 2025

Philip Cannon's Concertino for piano and strings (1951) dates from his formative years.

The continuing collaboration of SOMM Recordings and Lani Spahr has produced another exciting release of long forgotten and neglected recordings, which highlight Sir Adrian Boult’s life-long championing of the music of Edward Elgar. The label remains grateful, as ever, to Spahr for resurrecting these lost treasures and for his sterling work on sound restoration.
On 17 February, 1918, in wartime London, a twenty-eight year old Adrian Boult visited the home of Sir Edward Elgar to discuss details for a performance of In the South that Boult was to conduct for the first time at Queen’s Hall the following evening. In 1944, in the midst of another war, Boult would again conduct the concert overture in a broadcast performance with the BBC Orchestra. SOMM Recordings is proud to include this performance on its release, Boult’s Elgar — The Forgotten Recordings.

The continuing collaboration of SOMM Recordings and Lani Spahr has produced another exciting release of long forgotten and neglected recordings, which highlight Sir Adrian Boult’s life-long championing of the music of Edward Elgar. The label remains grateful, as ever, to Spahr for resurrecting these lost treasures and for his sterling work on sound restoration.
On 17 February, 1918, in wartime London, a twenty-eight year old Adrian Boult visited the home of Sir Edward Elgar to discuss details for a performance of In the South that Boult was to conduct for the first time at Queen’s Hall the following evening. In 1944, in the midst of another war, Boult would again conduct the concert overture in a broadcast performance with the BBC Orchestra. SOMM Recordings is proud to include this performance on its release, Boult’s Elgar — The Forgotten Recordings.

Alpesh Chauhan and the BBC Scottish Symphony Orchestra continue their fascinating survey of Tchaikovsky’s orchestral works, combining established repertoire with lesser-known works to great effect. For this third volume, the former are represented by orchestral excerpts from Eugene Onegin, and the brooding Marche slave. Eugene Onegin is without doubt Tchaikovsky’s best-known opera, regularly performed by opera companies around the globe. The ‘Entr’acte and Waltz’ opens Act II, a party in the country for the name-day of Onegin’s neighbour Tatyana, whilst the ‘Polonaise’ sets the scene for Act III, with another, much grander ball set years later in St Petersburg.

Rumon Gamba’s exploration of the music of Ruth Gipps continues with these world première recordings of the Fifth Symphony, Violin Concerto, and Leviathan, performed by the BBC Philharmonic. The acclaimed violinist Charlie Lovell-Jones takes the solo part in the Concerto.

Alpesh Chauhan and the BBC Scottish Symphony Orchestra continue their fascinating survey of Tchaikovsky’s orchestral works, combining established repertoire with lesser-known works to great effect. For this third volume, the former are represented by orchestral excerpts from Eugene Onegin, and the brooding Marche slave. Eugene Onegin is without doubt Tchaikovsky’s best-known opera, regularly performed by opera companies around the globe. The ‘Entr’acte and Waltz’ opens Act II, a party in the country for the name-day of Onegin’s neighbour Tatyana, whilst the ‘Polonaise’ sets the scene for Act III, with another, much grander ball set years later in St Petersburg.

Rumon Gamba’s exploration of the music of Ruth Gipps continues with these world première recordings of the Fifth Symphony, Violin Concerto, and Leviathan, performed by the BBC Philharmonic. The acclaimed violinist Charlie Lovell-Jones takes the solo part in the Concerto.

Consummate craftsmanship informs the three works here. Concerto for Orchestra, with its symphonic aspirations, is arresting, consistently inventive, and potent – with deft writing between the exhilarating and the expressive this is music that journeys and arrives, a standout opus in RRB’s catalogue.

John Wilson’s series of orchestral works by his mentor and friend Sir Richard Rodney Bennett reaches Vol. 5, featuring three works composed between 1973 1989. The Concerto for Orchestra was commissioned at the instigation of Brian Priestman, the British chief conductor of the Denver SO. Its 3-mvt structure, closing with a dazzling set of variations, displays the modern orchestra as a virtuoso body of players.

Consummate craftsmanship informs the three works here. Concerto for Orchestra, with its symphonic aspirations, is arresting, consistently inventive, and potent – with deft writing between the exhilarating and the expressive this is music that journeys and arrives, a standout opus in RRB’s catalogue.