"In conversations about Franz Schmidt the recurring theme emerging for many is that listening to a performance of his music at a young age became the turning point in their lives –the realization of how powerful music can be," says Jonathan Berman, whose longtime love of Franz Schmidt's work has its origins in a performance preparation for his Fourth Symphony.
John Wilson’s third volume devoted to music by Eric Coates combines some of the composer’s larger-scale works with miniatures and two marches. The Cinderella Phantasy frames the well-known fairy-tale from Cinderella’s perspective, glossing over the more brutal elements of the original, with some notably descriptive writing for the dream sequences, the ball, and of course the happy ending.