Beach Money

Hyperion's Romantic Piano Concerto series reaches its 70th album with this program of three concertos by women. The ongoing success of the series suggests that audiences are ready and waiting for wider repertoire, and pianist Danny Driver and the BBC Scottish Symphony Orchestra under Rebecca Miller deliver a real find here. The Piano Concerto in C sharp minor, Op. 45, of American composer Amy Beach has been performed and recorded, but it's been in search of a recording that captures the autobiographical quality of the work, well sketched out in the booklet notes by Nigel Simeone. Essentially, Beach faced creative repression from her religious mother and to a lesser extent from her husband, who allowed her to compose, but only rarely to perform. These experiences, it may be said, poured out in this towering Brahmsian, four-movement piano concerto, which sets up an unusual quality of struggle between soloists and orchestra. It's this dynamic that's so well captured by Driver and Miller (who happen to be married to each other). Sample the opening movement, which has lacked this quality in earlier performances.

An intergalactic babe borrows her dad's T-bird ship to do a little planet-hopping with her two friends, but they run out of fuel unexpectedly, and must land on Earth. They land on the California coast, where they have fun and a few close encounters with some guys. One of the guys' Uncle Bud, who just wants to meditate and hang out, is being threatened with condemnation of his beach house unless he puts some money into repairs. The alien babes offer to enter the bikini contest with their way-out designs to try and win the money he needs, but they are hampered by the garment designer who will stop at nothing to win.