Beethoven 3 Symphony

The genesis of Ludwig van Beethoven’s Symphony Number 3 in E-Flat Major, the “Eroica”, has long been brought into connection with the composer’s early admiration for Napoleon. Indeed, Beethoven had initially intended to entitle the work “Bonaparte”, but he withdrew the dedication when the Corsican, as First Consul of a military-backed republic, crowned himself emperor on 2 December 1804. Nonetheless, Beethoven did complete the composition, which is influenced by both French Revolution music and Bachian polyphony, and the first movement is indeed heroic in character. As such, we may assume that Beethoven, while torn between cosmopolitan notions and Austrian patriotism, still held fast to the revolutionary ideals of “liberty, equality, fraternity”. At the same time, the second movement, a funeral march, shows that he equally wished to commemorate the victims of conflict and war, thus giving form to the dark side of the “heroic” story.

Schnittke - Concerto Grosso No.3, Symphony No.5 - RCO, Chailly (1991) {Decca 430 698-2}
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© 1991 Decca | 430 698-2
Classical / Contemporary Classical / Concerto / Symphony

Decca have sportingly given the competition 18 months' free run with Schnittke's Concerto Grosso No. 4/Symphony No. 5. But fine though the Gothenburg/Jarvi performance is, the new recording surpasses it. In Schnittke's world expressive urge and structural constraint will never unite in total wedded bliss, but in the Fifth Symphony (for short) the thing they produce is certainly bigger than the both of them. I won't rehearse the description I gave in my review of the BIS issue, save to say that it progresses from Stravinskian concerto grosso, through Mantovani-with-a-nervous-breakdown pastiche (based on the teenage Mahler's unfinished Piano Quartet) to full-blown tragic symphony echoing archetypes from Mahler's Fifth and Sixth Symphonies.

Why is Beethoven one of the most revered composers in the history of Western music? Professor Robert Greenberg answers: "Beethoven possessed a unique gift for communication. He radiated an absolute directness that makes his music totally accessible. The sheer emotional power of his music is readily understood. His revolutionary compositional ideas are easily appreciated. "And his nine symphonies are among the greatest achievements of the human spirit. "They were revolutionary on every level: harmonic, melodic, rhythmic, formal, dramatic, self-expressive, and emotional. Beethoven led the charge to a totally new era. He threw out the restraint of 18th-century classicism and ushered in romantic self-expression. His symphonic offspring were the first statesmen of this new, musical democracy."

By general consensus, Herbert von Karajan's first (1963) Beethoven cycle for Deutsche Grammophon is the best of the four (!) that he recorded...

German maestro Kurt Masur and the Leipzig Gewandhaus Orchestra have recorded the complete Beethoven Symphonies for Philips twice. The first traversal was made in the 1970's. That cycle also included some of the overtures, and became legendary from the day it was issued. I well remember how sad and dismayed many collectors were when Philips elected not to issue that set in the USA. It was only available in specialty stores in large cities for a premium price.

Ludwig van Beethoven (1770–1827) - Symphonies & Ouvertures
Anima Eterna / Jos van Immerseel
EAC+LOG+CUE | FLAC: 1,67 GB | Full Artwork | 5% Recovery Info
Label/Cat#: Zig Zag Territoires # ZZT080402.6 | Country/Year: France 2008
Genre: Classical | Style: Symphony

…As for the orchestral playing, it leaves nothing to be desired; intonation is true and ensemble is razor sharp. Anima Eterna captures the music’s raw energy and succeeds in coupling it with eloquence and warmth, resulting in a wonderful blend of soul and virtuosity. In the end, these are sterling performances, certainly capable of going toe-to-toe with the period-instrument competition and well worth the time and effort to open your wallet.

Stylistically, Hogwood is on firm ground, and there is much to be said for his insights into the music. He prefers not to "conduct" the symphonies in the conventional manner, but to "coordinate" their performance as a musician of the period might have done. His Eroica and Pastorale are outstanding, and his Ninth most impressive. The symphonies were recorded in the order of their composition, and the sound is consistently good throughout.